热门歌曲
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Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtZweite Abteilung:No.10a Fortsetzung - "Bei der Macht, die gebrochen dein Gra
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Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Vse lame se a borti v chaos tmavy (Now everything is crumbling, all is chaos) (Chorus)
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Osud (Fate):Act II Scene 4: mami! Mani! (Doubek, Mila)
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Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: Aria: Nuz tedy vez a pojmi v srdce svoje (First you should learn) (Bass)
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Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Recitative: Vesno smava, Vesno sniva (Merry Springtime, dreamy Springtime) (Tenor)
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Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act II: Hellish Dance
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Eugene Onegin, Op. 71:Tatyana's final meeting with Onegin: I love you (Tatyana)
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Soldaten:Act III Scene 5: Interlude
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Ein deutsches Requiem (A German Requiem), Op. 45:IV. Wie lieblich sind deine Wohnungen
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Soldaten:Act III Scene 2: Es ist alles umsonst (Frau Wesener, Charlotte)
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- 6 Bohemian Songs and Dances:No. 5. Vivo - Cantabile, meno mosso
- 6 Bohemian Songs and Dances:No. 3. Con moto - Vivo
- 6 Bohemian Songs and Dances:No. 4. Allegretto - Andnate
- 6 Bohemian Songs and Dances:No. 2. Andantino - Appassionato - Pesante
- 6 Bohemian Songs and Dances:No. 1. Andante rubato - Affettuoso
- 6 Bohemian Songs and Dances:No. 6. Con moto, non troppo allegro
A
- Armida, Op. 115, B. 206:Act III Scene 5-6: Poutniku, jenz pouste prachem (Chorus, Ismen, Ubald, Sven)
- Armida, Op. 115, B. 206:Act III Scene 4: Pojd', vecer jiz se smraka (Rinald, Armida, Ismen)
- Armida, Op. 115, B. 206:Act IV Scene 2: Zde prepadeni mauru zalohou (Ubald, Peter, Sven, Rinald)
- Armida, Op. 115, B. 206:Act II Scene 6: O, duchu vecny, z moudrosti sve more (Gottfried von Bouillon, Armida)
- Arlecchino oder Die Fenster, Op. 50:Part IV: Arlecchino als Sieger: Scene, Quartet and Melodrama: Es ist schon ganz finster (Dottore, Abbate, Colombia
- Armida, Op. 115, B. 206:Act III Scene 8: Jen dale statne vydrz, svene muj (Chorus, Muezzin)
- Armida, Op. 115, B. 206:Act II Scene 6: Vy, kteri jste mne vyvolili vudcem (Gottfried von Bouillon, Rinald, Peter, Armida)
- A Romantic Suite, Op.125:2. Scherzo (Vivace)
- Armida, Op. 115, B. 206:Act II Scene 5: Ha, Zpatky! (Wachsoldaten, Chorus, Armida, Dudo)
- Arlecchino oder Die Fenster, Op. 50:Part IV: Arlecchino als Sieger: Procession and Dance Finale: Verehrliche Versammlung (Arlecchino)
- Arlecchino oder Die Fenster, Op. 50:Part I: Arlecchino als Schalk: Duet: Und noch hab ich euch zu danken (Abbate, Dottore)
- Armida, Op. 115, B. 206:Act IV Scene 3: Zas vlaje kristuv prapor svaty (Chorus, Rinald, Peter, Ubald, Sven)
- Arlecchino oder Die Fenster, Op. 50:Part II: Arlecchino als Kriegsmann: Marcia e Scena: Den Schlussel liess ich mir nachfertigen (Arlecchino, Matteo)
- Armida, Op. 115, B. 206:Act II Scene 5: Co vidim, v tabore je zena cizi (Peter, Armida)
- Armida, Op. 115, B. 206:Act II Scene 7-8: Mne nelze cekat del (Rinald, Armida, Peter, Ismen)
- Armida, Op. 115, B. 206:Act I Scene 2: Co znamena trub hlahol vystrazny (Hydraot, Ismen)
- Armida, Op. 115, B. 206:Act II Scene 5: Jak tady spor (Rinald, Armida, Peter)
- Armida, Op. 115, B. 206:Act II Scene 5: O, srdce, ztis svuj tlukot smely (Armida)
- Armida, Op. 115, B. 206:Vorspiel
- Armida, Op. 115, B. 206:Act IV: Finale: V sklon teskne drahy jsme prec svoji (Armida, Rinald, Chorus)
- Arlecchino oder Die Fenster, Op. 50:Part III: Arlecchino als Ehemann: Scene e due, poi a tree: Mit dem Schwert, mit der Laute (Leandro, Colombia, Arle
- Armida, Op. 115, B. 206:Act IV Scene 1: Sam, v pousti sam o hruzo, byl to sen (Rinald)
- Armida, Op. 115, B. 206:Act III Scene 7: Tise, tise vetrik dyse (Chorus)
- Armida, Op. 115, B. 206:Act III Scene 1: Poutniku, jenz pouste prachem (Chorus, Rinald, Armida)
- Armida, Op. 115, B. 206:Act IV Scene 4: Hoj, dobre ja te znam! (Ismen, Rinald)
- Armida, Op. 115, B. 206:Act I Scene 3: Odesel, jen se mih (Armida, Hydraot, Ismen)
- Armida, Op. 115, B. 206:Act III Scene 2: Na prahu desnych pousti (Ismen)
- Armida, Op. 115, B. 206:Act I Scene 3: Slys Armido! (Hydraot, Armida, Ismen)
- Armida, Op. 115, B. 206:Act II Scene 6: Slys, z hlubin bidy svoji (Armida, Chorus, Rinald, Peter)
- Arlecchino oder Die Fenster, Op. 50:Part IV: Arlecchino als Sieger: Monologue: Wahrlich, ich weiss nicht mehr aus noch ein! (Matteo)
- Armida, Op. 115, B. 206:Act II: Vorspiel
- Armida, Op. 115, B. 206:Act IV Scene 5: Zpet ustoupiz, ja vzyvam tebe v boj! (Armida, Rinald)
- Arlecchino oder Die Fenster, Op. 50:Part I: Arlecchino als Schalk: Terzetto: Treibt euch leichtfertig auf offener Strasse umher? (Matteo, Abbate, Dott
- Armida, Op. 115, B. 206:Act I Scene 3: Za Stihlou Gazelou (Armida, Hydraot, Ismen)
- Arlecchino oder Die Fenster, Op. 50:Part I: Arlecchino als Schalk: Introduction: Ein Schauspiel ist's fur Kinder nicht, noch Gotter (Arlecchi
- Armida, Op. 115, B. 206:Act I Scene 2: Lsti zvitezis; Ty zjevne neobrojis (Ismen, Hydraot)
- A Romantic Suite, Op.125:3. Finale (Molto sostenuto)
- Arlecchino oder Die Fenster, Op. 50:Part III: Arlecchino als Ehemann: Arietta: Wie ist ihr Schlaf, Madame? (Arlecchino, Colombia)
- Armida, Op. 115, B. 206:Act II Scene 1: Pri telu tvem, jez knez vys vznasi (Chorus, Peter)
- Armida, Op. 115, B. 206:Act I Scene 1: Jak z dervisovych prstu rinou (Chorus, Muezzin)
- Arlecchino oder Die Fenster, Op. 50:Part III: Arlecchino als Ehemann: Scene and Aria: Herr Kapitan, um Vergebung (Colombia, Arlecchino)
- Armida, Op. 115, B. 206:Act III Scene 1: Jen niz, jen niz se sklon az k srdci memu (Rinald, Armida, Chorus)
- A Romantic Suite, Op.125:1. Notturno (Molto sostenuto)
- Armida, Op. 115, B. 206:Act II Scene 2-4: Dost v pousti toho otaleni (Gernand, Roger, Dudo, Sven, Ubald)
- Armida, Op. 115, B. 206:Act III Scene 3: Dost, Armido, jiz nebezpecne hry (Ismen, Armida)
B
C
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act II: Hellish Dance
- Concerto Pour Orgue No. 3 Hob.XVIII:3. Allegro
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act I: Proc tak brzy, ovcaku (Farmhands)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act I: To je prece k zlosti (Kathe, Mother, Chorus)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act I: Dobry vecer! (Marbuel, Chorus)
- Concerto Pour Orgue No. 3 Hob.XVIII:1. Allegro moderato
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act II: Mas ji s krku (Lucifer, Marbuel)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act I: Musim, brasi, domu jit (Jirka, Farmhands)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act II: Koho si to, bratre, neses (Devils, Marubuel, Kathe, Lucifer, Gatekeeper)
- Cyrano de Bergerac, Op. 55:IV. Allegro deciso
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act I: Je sic to trochu daleko (Marbuel, Kathe, Chorus, Mother, Jirka)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act II: Slava zlatu mocnemu (Devils, Gatekeeper, Lucifer)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act II: Co tu ches? (Lucifer, Jirka, Kathe)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Overture
- Concerto Pour Orgue No. 3 Hob.XVIII:3. Allegro
- Concerto Pour Orgue No. 3 Hob.XVIII:3. Allegro
- Concerto Pour Orgue No. 3 Hob.XVIII:3. Allegro
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act II: Prelude
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act III: Slava knezne, slava, slava! (Chorus, Jirka, Kathe)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act I: Hrome, Kaca, sem jde taky! (Jirka, Farmhands)
- Concerto Pour Orgue No. 3 Hob.XVIII:3. Allegro
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act III: Bud' mi vitan! (Princess, Jirka, Marshal)
- Concerto Pour Orgue No. 3 Hob.XVIII:3. Allegro
- Cyrano de Bergerac, Op. 55:V. Andante sostenuto
- Concerto Pour Orgue No. 3 Hob.XVIII:2. Andante
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act III: Prelude
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act III: Jak smutno v zamku (Princess, Chambermaid)
- Concerto Pour Orgue No. 3 Hob.XVIII:3. Allegro
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act III: Stroj se, knezno (Marbuel, Jirka, Princess, Kathe)
- Cyrano de Bergerac, Op. 55:III. Allegro - Tempo di Valse
- Cyrano de Bergerac, Op. 55:I. Andante con moto
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act I: Co se stalo? (Chorus, Jirka, Kathe, Marbuel)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act II: Kaco, ted' se priprav (Marbuel, Kathe)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act I: Waltz
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act I: Pojd'te se mnou, moje mila (Marbuel, Kathe, Chorus)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act I: Znate toho myslivce (Chorus, Musician, Kathe)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act I: Ja ubohej ovcacek (Jirka)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act III: Dum si vyber nejkrasnejsi v celem meste (Princess, Kathe, Chorus, Jirka)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act II: Chtel bys Kacu odtud odnest (Marbuel, Jirka)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act II: Jak se ti to u nas libi (Marbuel, Kathe, Jirka,Devils)
- Cert a Kaca (Kate and the Devil), Op. 112, B. 201:Act III: Slunce k zapadu se chyli (Princess, Chambermaid, Marschall)
D
- Die Bakchantinnen:Act I: Er hort uns nicht (Teiresias)
- Die Bakchantinnen:Act I: Manaden! Hochgeweihte Schar, blickt auf! (Dionysos, Chorus)
- Der Konig Kandaules:Act I Scene 3: Schlage den Schleier zuruck (Kandaules, Nyssia, Archelaos, Pharnaces, Syphax, Simias, Sebas, Phedros, Philebos, Nic
- Die Bakchantinnen:Act II: Heil dir, mein Vater (Agave, Teiresias)
- Die Bakchantinnen:Act I: Pentheus! Wer ruft? (Dionysos, Pentheus)
- Der Konig Kandaules:Act I Scene 4: Also du bist Gyges? (Kandaules, Gyges, Archelaos, Sebas, Pharnaces, Phedros, Nyssia, Nicomedes)
- Die Bakchantinnen:Act I: Herr, frohe Botschaft (Pentheus, Chorus)
- Der Konig Kandaules:Act I Scene 1: He, Gyges, du gehst? (Koch, Gyges, Sebas, Archelaos, Phedros, Simias, Philebos)
- Die Bakchantinnen:Act I: Wer tat den Schrei? (Agave, Chorus)
- Der Konig Kandaules:Act II Scene 1: Nun qualt mich die Musik (Kandaules, Gyges, Nyssia)
- Der Konig Kandaules:Act III Scene 4: Die schonste aller Nachte … Genug! (Gyges, Nyssia, Kandaules)
- Die Bakchantinnen:Act II: Overture
- Der Konig Kandaules:Act II Scene 2: Ich war schon lang bei Euch (Nyssia, Kandaules, Gyges)
- Der zerbrochene Krug, Op. 36:Overture
- Die Bakchantinnen:Act I: Der Ruf, kam er von hier?! (Chorus)
- Die Bakchantinnen:Act I: Von Asiens Erde (Chorus)
- Der zerbrochene Krug, Op. 36:Scene: Die Gerichtsstube
- Die Bakchantinnen:Act I: Ihr da, was gibt's? (Pentheus, Teiresias, Chorus)
- Die Bakchantinnen:Act II: Nicht weiter, Herr! (Diener, Pentheus)
- Der Konig Kandaules:Act III Scene 1: Hast du Kandaules geseh'n, Philebos? (Nicomedes, Philebos, Syphax, Pharnaces, Sebas, Simias, Archelaus)
- Der Konig Kandaules:Act I: Prologue - Der sein Gluck halt, soll sich gut verstecken! (Gyges)
- Der Konig Kandaules:Act III Scene 2: Mein Ring! Mein Ring! (Gyges)
- Die Bakchantinnen:Act I: Mutter! (Pentheus, Agave)
- Die Bakchantinnen:Act I: Was soll das Ungestum (Kadmos, Pentheus, Teiresias, Chorus)
- Die Bakchantinnen:Act II: Bakchos! Bakchos! (Agave, Ino, Panthea)
E
- Eugene Onegin, Op. 71:Tatyana's final meeting with Onegin: I love you (Tatyana)
- Ein deutsches Requiem (A German Requiem), Op. 45:IV. Wie lieblich sind deine Wohnungen
- Eugene Onegin, Op. 71:The prince takes Onegin to Tatyana: Can you say, Prince, who in that dark red beret (Onegin, General)
- Eugene Onegin, Op. 71:Ball in the house of Larins: Polka
- Eugene Onegin, Op. 71:Tatyanas letter: Why did you visit us (Tatyana)
- Eugene Onegin, Op. 71:Ball in the house of Larins: Waltz
- Eugene Onegin, Op. 71:Tatyana's dream: Allegro moderato
- Eugene Onegin, Op. 71:Tatyanas letter: So let it be! (Tatyana)
- Eugene Onegin, Op. 71:Tatyana: Adagio
- Eugene Onegin, Op. 71:Tatyanas Abschied vom Landgut der Larins: Farewell you too, familiar mauntains! (Tatyana)
- Ein deutsches Requiem (A German Requiem), Op. 45:II. Denn alles Fleisch es ist wie Gras
- Eugene Onegin, Op. 71:Tatyanas letter: Passionato
- Eugene Onegin, Op. 71:Duel: Olga's mine for saving (Lenski)
- Eugene Onegin, Op. 71:Tatyana: I am in love (Tatyana)
- Eugene Onegin, Op. 71:Lenski and Onegin: Elle etait fille (Onegin)
- Eugene Onegin, Op. 71:Lensky at Larin's Grave: I Live in sorrow and loneliness (Lensky)
- Eugene Onegin, Op. 71:Tatyanas letter: Lento
- Eugene Onegin, Op. 71:Lenski and Onegin: The one you love's the younger daughter? (Onegin, Lensky)
- Eugene Onegin, Op. 71:Lenski and Onegin: You're off? (Onegin, Lensky)
- Eugene Onegin, Op. 71:Tatyanas Abschied vom Landgut der Larins: Ferewell, you vales and fountains! (Tatyana)
- Eugene Onegin, Op. 71:Tatyana: I can't sleep (Tatyana, Nurse)
- Eugene Onegin, Op. 71:Lenski thinks of Olga: Away inside that unassuming hornestead (Lensky)
- Eugene Onegin, Op. 71:Onegin and Lenski: Tell me, our neighbours, are they thriving? (Onegin, Lensky)
- Ein deutsches Requiem (A German Requiem), Op. 45:VII. Selig sind die Toten
- Eugene Onegin, Op. 71:Onegin meets Tatyana: You wrote to me (Onegin)
- Eugene Onegin, Op. 71:Duel: Well, what? He's killed (Onegin)
- Eugene Onegin, Op. 71:Tatyanas letter: Adagio
- Ein deutsches Requiem (A German Requiem), Op. 45:V. Ihr habt nun Traurigkeit
- Ein deutsches Requiem (A German Requiem), Op. 45:III. Herr, lehre doch mich
- Ein deutsches Requiem (A German Requiem), Op. 45:VI. Denn wir haben hie keine bleibende Statt
- Ein deutsches Requiem (A German Requiem), Op. 45:I. Selig sind, die da Leid tragen
- Eugene Onegin, Op. 71:Tatyana's dream: Andante
- Eugene Onegin, Op. 71:Tatyana's final meeting with Onegin: Enough, stand up (Tatyana)
- Eugene Onegin, Op. 71:Lensky at Larin's Grave: A humble sinner (Lensky)
- Eugene Onegin, Op. 71:Tatyanas letter: I write to you (Tatyana)
- Eugene Onegin, Op. 71:Ball in the house of Larins: Song for the masked (Chorus)
F
- Four Symphonic Poems For Full Orchestra After Paintings By Arnold Böcklin, Op.128:4. Baccanal
- Four Symphonic Poems For Full Orchestra After Paintings By Arnold Böcklin, Op.128:2. Im Spiel der Wellen
- Four Symphonic Poems For Full Orchestra After Paintings By Arnold Böcklin, Op.128:3. Die Toteninsel
- Four Symphonic Poems For Full Orchestra After Paintings By Arnold Böcklin, Op.128:1. Der geigende Eremit
G
- Gianni Schicchi:Dunque era vero! (Simone, Ciesca, Marco, Betto, Zita, Nella, Rinuccio, Gherardo, Gherardino)
- Gianni Schicchi:Firenze e come un albero fiorito (Rinuccio)
- Gianni Schicchi:Povero Buoso (Zita, Simone, Rinuccio, Ciesca, Marco, Nella, Gherardo, Betto)
- Gianni Schicchi:Ah, vittoria! Vittoria! (Schicchi, Lauretta, Chorus)
- Gianni Schicchi:E non c'e nessun mezzo (Zita, Ciesca, Nella, Simone, Betto, Marco, Gherardo, Rinuccio)
- Gianni Schicchi:I mulini di Signa (Schicchi, Notaio, Pinellino, Guccio, Chorus)
- Gianni Schicchi:Lauretta mia, staremo sempre qui (Rinuccio, Lauretta, Schicchi)
- Gianni Schicchi:Datemi il testamento! (Schicchi, Lauretta, Rinuccio, Spinelloccio, Chorus)
- Gianni Schicchi:Ecco il notaro (Rinuccio, Notaio, Pinellino, Guccio)
- Gianni Schicchi:Quale aspetto sgomento e desolato! (Schicchi, Rinuccio, Lauretta, Gherardo, Zita, Chorus)
- Gianni Schicchi:Addio, Firenze (Schichi, Chorus)
I
- Il tabarro:O eterni innamorati, buona sera (Frugola, Giorgetta, Talpa, Michele, Luigi, Tinca)
- Il giuramento:Act II: Compita e'omai la giusta e terribil vendetta (Viscardo)
- Il tabarro:Dimmi: perche gli hai chiesto di sbarcarti a Rouen? (Giorgetta, Luigi)
- Il giuramento:Act I: Oh si, mie care … Or la, sull' onda (Bianca, Chorus)
- Il giuramento:Act I: Questo fatal mistero … Manfredo, eccoci a te (Manfredo, Elaisa, Bianca, Isaura, Viscardo, Chorus)
- Il giuramento:Act II: A te il veleno … O perfida (Manfredo, Bianca, Elaisa)
- Il tabarro:Si soffoca, padrona (Luigi, Giorgetta, Tinca, Talpa)
- Il giuramento:Act III: Viscardo (Bianca, Viscardo, Elaisa)
- Il giuramento:Act I: Fermate … Oh, istante (Viscardo, Elaisa, Bianca)
- Il tabarro:Dunque, che cosa credi? (Giorgetta, Michele, Chorus)
- Il giuramento:Act I: Voi ci spariste … Di superbo vincitor (Manfredo, Elaisa, Viscardo, Chorus)
- Il giuramento:Act I: Che vedo! - Manfredo! Ah (Manfredo, Elaisa, Bianca, Viscardo)
- Il giuramento:Act III: La posa. Bella ancora (Elaisa)
- Il tabarro:Come e difficile esser felici! (Giorgetta, Michele)
- Il giuramento:Act II: Interlude
- Il tabarro:E ben altro il mio sogno! (Giorgetta, Frugola, Luigi, Talpa)
- Il giuramento:Act I: Odi: Ogni Intorno Echeggiano (Chorus)
- Il giuramento:Act II: Viscardo! - Il rivedrete (Bianca, Elaisa, Manfredo)
- Il tabarro:T'ho colto! (Michele, Luigi, Giorgetta)
- Il giuramento:Act III: Eccola! … L'adorava qual s'adora (Viscardo, Elaisa)
- Il giuramento:Act I: Era stella del mattino (Chorus, Isaura)
- Il giuramento:Act I: Elaisa! Elaisa dov'e? (Chorus, Manfredo)
- Il tabarro:O Luigi! Luigi! (Giorgetta, Luigi, Michele)
- Il giuramento:Act III: Del suo tiranno a pie'cadea … (Viscardo, Elaisa, Bianca)
- Il giuramento:Act I: La dea di tutti i cor … Bella adorata incognita (Viscardo)
- Il giuramento:Act I: Fier sospetto ohime (Manfredo)
- Il giuramento:Act II: Vittoria - Siracusa! (Chorus)
- Il tabarro:Nulla! Silenzio! (Michele)
- Il giuramento:Act I: Tutto e'tenebre … (Elaisa, Bianca)
- Il giuramento:Act II: Alla pace degli eletti (Chorus)
- Il giuramento:Act I: Preghiamo! Ah, pregai tanto … Bianca! Ah, ti trovai (Bianca, Viscardo)
- Il giuramento:Act II: Oh! Qual nome pronunziaste (Elaisa, Bianca)
- Il giuramento:Act I: Oh mio … German! (Elaisa, Manfredo, Viscardo, Brunoro, Chorus)
- Il giuramento:Act II: Si compia il giuramento (Elaisa)
J
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act III Scene 3: Zde k noham vasi milosti (Benda, Graf)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act I Scene 5: Ja stastne, se ho zbavila (Terinka, Jiri, Filip, Chorus)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act II Scene 3: Vzbud se, doufej (Terinka, Jiri, Benda)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act III: Introduction - Scene 1: Ne, pust'te mne (Jiri, Adolf, Filip, Lotinka)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act II Scene 2: Ach boze, bozinku (Terinka, Jiri)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act I Scene 6: To mne stat! Tak ctite pana! (Filip, Chorus)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act II Scene 4: Pane uciteli, pane uciteli (Terinka, Jiri, Benda, Girls Chorus)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act I Scene 9: Slyste nas, kde jste, slyste nas! (Chorus, Terinka, Jiri, Benda, Bohus, Julia, Filip)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act II Scene 1: Serenade (Benda, Jiri, Terinka, Chorus, Children's Chorus)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act II: Introduction
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act I Scene 1: Sve hlavy v prachu sklanime (Chorus, Bohus, Julia)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act I Scene 2: Jen postujme tu okamzeni (Chorus, Children's Chorus)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act I Scene 7: Chci s tebou promluvit! (Jiri, Terinka, Filip)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act III Scene 5: Mne zdalo se? (Graf, Julia)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act III Scene 8: Muj synu, me dite! (Graf, Bohus, Adolf, Filip, Benda, Julia, Jiri, Terinka, Chorus, Chi
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act I Scene 10: Slava, slava, slava! (Chorus, Bohus, Julia, Adolf, Terinka, Benda, Jiri, Graf, Filip)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act I: Introduction
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act II Scene 1: Tak, moji drazi! (Benda, Jiri, Terinka, Chorus, Children's Chorus)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act II Scene 5: Oni sami, Jakobini! (Terinka, Jiri, Benda, Girls Chorus, Bohus, Julia)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act III Scene 2: Jen tise, vejdete! (Lotinka, Julia, Benda)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act II Scene 6: Jak vzacni hoste k nam! (Benda, Filip, Jiri, Terinka)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act I Scene 8: Dovolte mi, pane … (Bohus, Julia, Jiri, Terinka, Filip)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act I Scene 3: Uceny pane, dobry den! (Benda, Terinka, Jiri, Filip)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act II Scene 8: Ja chranim vas! (Bohus, Jiri, Adolf, Filip, Julia, Terinka, Benda, Chorus)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act I Scene 4: Zle je, zle je, ha, ha, ha, ha! (Boys Chorus, Jiri)
- Jakobín (The Jacobin), Op. 84 (Sung in Czech):Act III Scene 4: Jsem v koncich (Benda, Julia)
K
- Kral a uhlir (King and Charcoal Burner), B. 21:Act II Scene 7: Aj, ponechte vzdechy zenam (Matej, Anna, Jenik, Liduska, Kohlerinnen und Kohler)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act III Scene 5: Koukej na tu krasu, zeno (Matej, Anna, Konig, Liduska, Jenik, Ritcherkollegium)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act II Scene 5: Jaky krik mne plasi z loze? (Matej, Anna, Kohlerinnen und Kohler, Konig, Jenik)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act I Scene 7: A vsak povez, tato deva (Konig, Jenik, Matej, Liduska, Kohlerinnen und Kohler)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act II: Introduction
- Kral a uhlir (King and Charcoal Burner), B. 21:Act III Scene 3: Mlady priteli, mej pozdrav muj (Jindrich, Jenik, Pagen)
- Kral a uhlir (King and Charcoal Burner), B. 21:Overture
- Kral a uhlir (King and Charcoal Burner), B. 21:Act II Scene 6: Zde nas, hle, pan budiz vitan (Jager, Jindrich, Konig, Matej, Anna, Liduska, Kohlerinne
- Kral a uhlir (King and Charcoal Burner), B. 21:Act I Scene 9: Jaky zvuk to jest? (Konig, Chor, Anna, Matej, Liduska, Jenik)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act I Scene 6: Dovolte nam vitat pana (Kohlerinnen und Kohler, Matej, Konig, Anna)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act III Scene 6: Cas je nyni ku hostine! (Konig, Matej, Chor, Jenik, Liduska, Anna)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act III Scene 4: Bud' zdrav, velemocny krali (Chor der Hoflinge, Konig, Jenik, Richterkollegiu
- Kral a uhlir (King and Charcoal Burner), B. 21:Act II Scene 1: Nechce spanek v oci vstoupit (Konig)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act II Scene 3: Vystrojim ti svatbu pysnou (Konig, Liduska, Jenik)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act III Scene 2: Jdete, jdete! Nezavidim blaha vam (Jenik)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act I Scene 10: Dudak devce mel (Matej, Chor, Anna, Liduska, Konig)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act I Scene 2: Ticho! Purkrabi se blizi! (Jager, Jindrich)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act I Scene 5: Zaved' me jej sem k Mateji! (Chor der Kohler, Matej)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act I Scene 8: Dousek vina k teto zverine (Anna, Matej, Konig, Kohlerinnen und Kohler)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act II Scene 4: Ejhle, jak v zlobe (Kohlerinnen und Kohler)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act III Scene 1: Vroucne vas, o krasna damy (Kavaliere, Hofdamen, Jenik)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act I Scene 3: Smim-li vstoupit (Jenik, Liduska)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act I Scene 4: Aj, aj, jaka to nahoda (Matej, Jenik, Anna, Liduska)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act II Scene 2: Jiz se jasni! Tichym krokem (Liduska, Konig)
- Kral a uhlir (King and Charcoal Burner), B. 21:Act I Scene 1: Oddechu prejte vesele pili (Chor der Jager)
L
- Le Bourgeois gentilhomme:Danse des tailleurs
- Landschaften, Op. 26:No. 4. Viele Wege sind kleine, vergangene: Ruhig bewegt
- Landschaften, Op. 26:No. 5. Die goldnen Winde: Bewegt
- Landschaften, Op. 26:No. 2. Alle Frauen weinen: Sehr ruhig
- Landschaften, Op. 26:No. 3. Demut faltet den Raum: Ruhig und einfach
- Landschaften, Op. 26:No. 1. Die Turen sind zugeweht: Sehr ruhig und vertraumt
- Le Bourgeois gentilhomme:Overture
- Le Bourgeois gentilhomme:Le banquet
- Le Bourgeois gentilhomme:Grand Ballet
M
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtZweite Abteilung:No.10a Fortsetzung - "Bei der Macht, die gebrochen dein Gra
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtErste Abteilung:No.1 Gesang der Geister - "Dein Gebot zieht mich heraus&
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtErste Abteilung:No.2 Erscheinung eines Zauberbildes - "O Gott, wenn du nicht
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtErste Abteilung:No.3 Geisterbannfluch - "Wenn der Mond auf stiller Welle&
- Menschheit, Op. 28:No. 2. Flugellahmer Versuch: Schweren Schrittes
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtDritte Abteilung:No.14 Melodram - "Komm! - Wer bist du"
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtDritte Abteilung:No.13 Abschied von der Sonne - "O Sonne, du herrlichstes Ge
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtZweite Abteilung:No.8 "Wirf in den Staub dich" - "Ich knie
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtZweite Abteilung:No.5 Zwischenaktmusik
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtErste Abteilung:No.4 Alpenkuhreigen - "Horch, der Ton!"
- Menschheit, Op. 28:No. 5. Einblick: Etwas bewegt
- Menschheit, Op. 28:No. 3. Oft Einfach: ruhig fliessend, etwas derb im Ausdruck
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtDritte Abteilung:No.12 Melodram - "Ein Friede kam auf mich!"
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtZweite Abteilung:No.6 Rufung der Alpenfee - "Du schöner Geist mit deinem Haa
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtZweite Abteilung:No.11 Manfreds Ansprache an Astarte - "O höre, hör'
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtZweite Abteilung:No.10 Beschwörung der Astarte - "Schatten! Geist! Was immer
- Menschheit, Op. 28:No. 4. Dammerung: Sehr ruhig
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtDritte Abteilung:No.15 - "Requiem Aeternam"
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd Albrecht:Ouvertüre
- Manfred, op.115 - Manfred, op.115 - text editing by Gerd AlbrechtZweite Abteilung:No.7 Hymnus der Geister Arimans - "Heil unsrem Meister! Her
- Menschheit, Op. 28:No. 1. Der Dudelsack: Ein wenig bewegt, doch ja nicht schnell
O
- Osud (Fate):Act II Scene 4: mami! Mani! (Doubek, Mila)
- Osud (Fate):Act I Scene 2: Mne z rodne visky on je znam (Konecny, Mila, Dr. Suda, Zivny, Lhotsky)
- Osud (Fate):Act I Scene 3: Prisel sis pro sve dite? (Mila, Zivny)
- Osud (Fate):Act II Scene 5: Kdo je u stare pani? (Mila, Milas Mutter, Zivny, Doubek)
- Osud (Fate):Act III Scene 2-3: Zivny, Verva, Chorus)
- Osud (Fate):Act I Scene 1: Mam kridla dnes a pisne ptaka (Dr. Suda, Mila, Milas Mutter, die alte Slowakin, Chorus)
- Osud (Fate):Act II Scene 3: Mou zenou jsi, proc tedy places (Zivny)
- Osud (Fate):Act I Scene 11: Tak dosli jsme, lec pozde asi! (Zivny, Mila)
- Osud (Fate):Act I Scene 9-10: Ty zlate nase slunicko (Dr. Suda, Lhotsky, Studenten, Madchen, Frl. Stuhla)
- Osud (Fate):Act I Scene 12-15: Ja tedhi uveril podlemu narknuti (Zivny, Mila. Dr. Suda. Frau Majorova, Konecny, Lhotsky, Gaste, Chorus)
- Osud (Fate):Act III Scene 1: Na obzoru boure (Schuler, Chorus)
- Osud (Fate):Act I Scene 16: Franco, da mi hubicku? (Student, Franca, Milas Mutter, Dr. Suda, Konecy, Lhotsky)
- Osud (Fate):Act I Scene 4-8: Ku zkousce, prosim, moje damy (Frl. Stuhla, Studenten, Madchen, Lehrerinnen, Lehrer, Lhotsky, Fr. Radova)
- Osud (Fate):Act III Scene 4-5: Coz nevidi vas zrak (Zivny, Doubek, Verva, Kosinska,Chorus)
- Osud (Fate):Act III Scenen1: Rozvaty jeji veky (Schuler, Hrazda, Verva, Kosinska, Souckva, Chorus)
- Osud (Fate):Act I Scene 2: Vslunce, lesku v zari (Lhotsky, Mila, Dr. Suda)
- Osud (Fate):Act I Scene 12: Chci v upal! Kez slunce spali moje hore (Mila)
- Osud (Fate):Act II Scene 1: Pisen naseho zivota drime (Zivny, Mila)
- Osud (Fate):Act II Scene 2: Je hanbu vase vecna! (Matka, Mila, Zivny)
- Osud (Fate):Act III Scene 2: A Souckova! - Zaby – Proc tak nezvykle ticho? (Kosinska, Souckova, Zivny, Verva, Doubek, Chorus)
- Osud (Fate):Prelude
- Ouvertüre zu einem ritterlichen Spiel
- Osud (Fate):Act II: Prelude
P
- Passacaglia
- Prosperos Beschworungen, op. 53:Ariels Gesang. Tranquillo
- Prosperos Beschworungen, op. 53:Ferdinand und Mirando. Sehr breit und ruhevoll - Prosperos Epilog. Misterioso
- Prosperos Beschworungen, op. 53:Ariel und der Sturm. Leicht bewegt
- Passacaglia:Choral
- Prosperos Beschworungen, op. 53:Caliban. Unruhig
- Passacaglia:Intrada
- Prosperos Beschworungen, op. 53:Prosperos Beschworung. Molto sostenuto
- Passacaglia:Fuga
- Partita for Strings:I. Allegro
- Partita for Strings:II. Lento (Variations on a Moravian Folksong)
- Partita for Strings:III. Molto vivace
R
S
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Vse lame se a borti v chaos tmavy (Now everything is crumbling, all is chaos) (Chorus)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: Aria: Nuz tedy vez a pojmi v srdce svoje (First you should learn) (Bass)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Recitative: Vesno smava, Vesno sniva (Merry Springtime, dreamy Springtime) (Tenor)
- Soldaten:Act III Scene 5: Interlude
- Soldaten:Act III Scene 2: Es ist alles umsonst (Frau Wesener, Charlotte)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: O vizte, knize nas vrha se na kolena (Oh, look there, see our Prince upon his knees) (Chorus)
- Soldaten:Act I Scene 1: Interlude
- Soldaten:Act II Scene 5: Interlude
- Suor Angelica:Addio, buone sorelle, addio, addio! (Sister Angelica, Chorus)
- Soldaten:Act II Scene 2: Willst du denn nicht schlafen gehen? (Mutter, Stolzius)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part III: Recitative: Nuz pristupte, mnou vire vyuceni (Come forward all to whom I've taught the
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Kdo onen muz, jejz nestih's nebe blesk? (What man is this whom lightening will not fell?
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Aria: Do prachu s vami! Jeden jest Buh! (Now kiss the dust all! One God there is!) (Bass, Chorus)
- Soldaten:Act I Scene 2: Mir ist nicht wohl, Mutter (Stolzius, Mutter)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Aria: Od detstvi ku oltari mne vodil svaty cit (When young it was the altar I ever held most dear
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part III: Introduction: Hospodine, pomiluj ny! (Mighty Lord, have mercy on us!) (Chorus)
- Soldaten:Act II Scene 4: Interlude
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Recitative: Vstup v nitro sve, mym domem neni zeme (Upon this earth thy search would be a vain qu
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Kvety, jimiz Vesna vabi (Blossoms, with which Spring allures us) (Chorus)
- Study for String Orchestra
- Suor Angelica:Il Principe Gualtiero vostro padre (Princess, Sister Angelica)
- Symphony No. 8:Part I
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Introduction: Tmy vratily se v skryse skal a lesu (The dusk departs to gloomy caves and forests)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part III: Duchu svaty, sestup v nachu (Holy Ghost in royal purple) (Bass, Chorus)
- Suor Angelica:O sorelle, sorelle (Sister Genevieve, Chorus)
- Suor Angelica:Tutto offerto alla Vergine, si, tutto (Sister Angelica, Princess)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: Ja hledala jsem zari toho jitra (For this new shining dawn I am now searching) (Soprano, Alto, T
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part III: Recitative: U cile stojim snahy sve a tuzby (Here on the threshold of my aspirations) (Soprano,
- Symphony No. 3 in E Minor, Op. 53:IV. Allegro maestoso - Allegro vivace
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Aria: O dovol abych zlibat smwla tvych nohou prach (I beg thee, only thy dusty feet My lips I wou
- Soldaten:Act III Scene 6: Wie ich dir sage, es ist eine Hure vom Anfang an gewesen (Desports, Mary, Stolzius)
- Soldaten:Act I Scene 3: Was machen Sie denn da, meine gottliche Mademoiselle? (Desportes, Marie, Wesener)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part III: Nuz pokleknete pred biskupem oba (So both of you will kneel before Methodius) (Chorus)
- Symphony No. 2:III. Scherzo alla Jazz: Allegro assai
- Symphony No. 3 in E Minor, Op. 53:I. Allegro inquieto
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: Aria: Ja neklamal se, bud vitana, dcero! (No error made, I welcome you, daughter!) (Bass)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: O neklamu se, chapu juz (I think, the truth I now infer) (Chorus)
- Suor Angelica:Suor Angelica! … Madre, madre, parlate! (La badessa, Suor Angelica, Chorus)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: Vesele hvozdem, vesele polem (Gaily we pass through field and through forest) (Soprano, Alto, Ba
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part III: Hospodine, pomiluj ny! (Mighty Lord, have mercy on us!) (Soprano, Alto, Tenor 1, Tenor 2, Bass,
- Soldaten:Act III Scene 4: Wie das qualt, nun ein Bettelmensch! (Marie)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part III: Panno, matko stvoritele (Virgin mother of our Saviour) (Alto, Chorus)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: Recitative: Dik, otce, ja se neklamala (Thank, Father, I felt sure I was right) (Soprano)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part III: O znete, pisne, znete k nebes bani (Now let the heavens echo with our anthem) (Alto, Bass, Chor
- Soldaten:Act III Scene 2: Wenn sie mir hierher kommt (Desportes)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: Duet: Te ptam se te: co najit chces? (Pray tell me now, what do you seek?) (Soprano, Alto)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Svate jitro jest (Holy dawn and holy night) (Chorus)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: Aria: O, cestu ukaz mi, jak ji mam dobyt (Oh, show to me the way that I must win her) (Tenor)
- Symphony No. 2 in D Major:I. Allegro
- Symphony No. 8:Part II
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: Recitative: O doprej, at se v pokore dal cvicim (Oh tell me, for humility I long now) (Soprano)
- Soldaten:Act III Scene 2: Wo bist du itzt, mein unvergesslich Madchen? (Der junge Graf)
- Symphony No. 3 in E Minor, Op. 53:III. Scherzo and Trio: Vivo e grazioso
- Symphony No. 2:II. Andante con moto
- Soldaten:Act I Scene 3: Interlude
- Soldaten:Act III Scene 1: Soll ich dir aufrichtig sagen, Stolzius (Mary, Stolzius)
- Symphony No. 2:IV. Finale: Allegro con spirito
- Soldaten:Act I Scene 1: Schwester, weisst du nicht (Marie, Charlotte)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: Recitative: O, kterak mohu zvednout k tobe zraku (How is it possible to raise my eyelids) (Sopra
- Soldaten:Act III Scene 3: Interlude
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Ky v pozadi to hluk? (What causes all that noise?) (Chorus)
- Symphony No. 2 in D Major:IV. Scherzo: Allegretto grazioso
- Soldaten:Act I Scene 6: Er muss sich dadurch nicht sogleich ins Bockshorn jagen lassen (Haudy, Stolzius)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Recitative: Me srdce chvi se tlukem bournym dnes (My heart is beating wildly) (Soprano)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: Recitative: Ach, ona, po niz srdce moje prahne (Ah, it is she for whom my heart is yearning) (Te
- Soldaten:Act II Scene 3: Papa! Papa! (Wesener, Marie)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Slys nase pisne horouci a vrouci (Here when we sing our psalm) (Chorus)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: Recitative: Jak z krasneho snu nahle procitly (I rudely awake from a perfect dream) (Tenor, Bass
- Soldaten:Act II Scene 6: Gnadige Mutter! (Der junge Graf, Grafin)
- Soldaten:Act I Scene 4: Interlude
- Soldaten:Act III Scene 1: Interlude
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: O jaky obraz oku memu se v stinu lesnim otvira! (Oh, what a sight there in the shadows, and one
- Symphony No. 3 in E Minor, Op. 53:II. Allegro con fuoco - Adagio
- Soldaten:Act I Scene 4: Ach Papa! Papa!(Marie, Wesener, Charlotte)
- Soldaten:Act III Scene 3: Meine Zunge ist so schwach (Stolzius)
- Suor Angelica:Sorella, o buona sorella (Sister Genevieve, Sister Angelica, Chorus)
- Soldaten:Act II Scene 7: Lass sie nur sein, Mama! (Marie, Frau Wesener, Bedienter)
- Soldaten:Act II Scene 4: Wer da, Stolzius (Mary, Stolzius)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Trihav, ktery patri troji tvari (Triglaw, thou with three-fold countenance) (Chorus)
- Symphony No. 2 in D Major:III. Adagio, ma non tanto
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: Introduction, Recitative and Aria: O, v jake sere lesni stiny (Oh, in the fearful forest shadows
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: Recitative: Ja bludne duse svetlu vracim (I led the lost souls out of darkness) (Bass)
- Soldaten:Act III Scene 2: Marie fortelaufen! (Wesener, Mary, Stolzius)
- Soldaten:Act I Scene 5: Du hochster Gegenstand von meinen reinen Trieben (Marie, Wesener)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Sem rychle Vesny kvet, at sochu ovencime (Festoon with flowers gay the statue of great Vesna) (Te
- Soldaten:Act II Scene 5: Es ist eine Shcande, wie sie mit ihm imgeht (Frau Wesener, Marie, Charlotte, Mary)
- Symphonic Prologue For A Tragedy, Op.108
- Suor Angelica:Senza mamma, o bimbo, tu sei morto! (Sister Angelica)
- Suor Angelica:Ave Maria, Ave Maria (Sister Angelica, Chorus)
- Soldaten:Act II Scene 1: Was fehlt Ihnen, mein goldenes Marieel (Desportes, Marie, Wesener, Frau Wesener)
- Slawische Rhapsodie, Op. 24
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: Trio: Tam Kristuv kriz! (Behold Christ's Cross!) (Soprano, Alto, Bass)
- Symphony No. 2 in D Major:V. Variationen und fuge uber ein hebraisches Volkslied
- Soldaten:Act III Scene 5: Lass sie mich - ich bin kein Liebhaber von solchen Sachen (Wesener, Marie)
- Suor Angelica:I desideri sono i fiori dei vivi (Sister Angelica, Monitor, Sister Genevieve, Chorus)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Co bude nyni? (What will befall us, in the time approaching?) (Chorus)
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part II: O beda, nechce slyset jeho lkani! (Oh, heavens! She'll not listen to his pleading!) (Ch
- Soldaten:Act I Scene 7: Julia, was machst du doch?
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part III: Duet: O, nech juz skanout nad nasimi cely (Anoint our foreheads with the holy water) (Soprano,
- Soldaten:Act I Scene 6: Interlude
- Symphony No. 2:I. Allegro ma non troppo
- Soldaten:Act I Scene 2: Interlude
- Svata Ludmila (St. Ludmilla), Op. 71, B. 144:Part I: Vzdyt bozi s nami jsou, kam bludny krok se sine (The gods are close at hand, where'er we
T
- Thérèse:Act II Scene 6: Les voir! … Le voir! (Therese, Armand)
- Thérèse:Act I Scene 2: Leur devoir! … Le devoir! (Thorel, Therese)
- Thérèse:Act I Scene 1: Pauvre gens! Braves gens! (Thorel, Therese, Officers)
- Thérèse:Act II Scene 5: Qui vient la? (Armand, Therese, Morel)
- Thérèse:Act I Scene 3: La chute des feuilles (Therese)
- Thérèse:Act I Scene 1: Selle, paquete, bride (Soldiers, Officers, Thorel, Therese)
- Thérèse:Act II: Prelude
- Thérèse:Act I Scenes 6-7: Lui … Mon ami(Armand, Therese, Thorel, die Mengel, Soldiers, Officers)
- Thérèse:Act II Scene 1: Jour de Juin! Jour d'ete (Thorel, Therese)
- Toman a lesni panna (Toman and the Wood Nymph), Op. 49
- Thérèse:Act I Scene 3: Oui, je t'aime, Andre (Therese)
- Thérèse:Act II Scene 7: Il est sauve! … Adieu le cher passe! (Therese)
- Thérèse:Act I Scene 4: Le Parc! … Et le perron! (Armand)
- Thérèse:Act I Scene 5: Malheureux! c'est vous! (Armand, Therese)
- Thérèse:Act I: Prelude
- Thérèse:Act II Scenes 2-3: Ah! vous! (Thorel, Therese, Morel)
- Thérèse:Act II Scenes 3-4: Armand! (Thorel, Therese, Armand)
- Thérèse:Act II Scene 4: Avec toi! Loin de toi, c'est la mort (Armand, Therese)
V
- Violin Concerto, Op. 84:I. Largo – Allegretto – Allegro ma non troppo
- Violin Concerto, Op. 84:III. Scherzo. Vivace – Trio. Molto Più Lento
- Violin Concerto, Op. 84:II. Adagio
- Violin Concerto No. 1 in C Minor, Op. 88:III. Allegro grazioso
- Violin Concerto, Op. 84:IV. Andante sostenuto
- Violin Concerto No. 1 in C Minor, Op. 88:II. Andante sostenuto
W
- Wozzeck, Op. 16, Scene 3: "He Bud! Sasa! Rara! Da kommen sie" (Marie, Margret, Wozzeck)
- Wozzeck, Op. 16, Scene 12: "Ich bin ein Mann! Ich hab' ein Weibsbild" (Tambourmajor, Andres, Wozzeck)
- Wozzeck, Op. 16, Scene 9: "Ein Jäger aus der Pfalz" (Chor, Wozzeck, Marie)
- Wozzeck, Op. 16, Scene 14: "Das Pistölchen ist zu teuer" (Wozzeck, ein Jude)
- Wozzeck, Op. 16, Scene 6: "Wohin so eilig, geehrtester Herr Sargnagel?" (Hauptmann, Doktor, Wozzeck)
- Wozzeck, Op. 16, Scene 16: "Das Kamisölchen, Andres, gehört mit zur Montur" (Wozzeck, Andres)
- Wozzeck, Op. 16, Scene 15: "Wie heute schön die Sonne scheint" (Chor, Kinderchor, Solosopran, Alte Frau, Marie)
- Wozzeck, Op. 16, Scene 18: "Das Messer! Wo ist das Messer!" (Wozzeck, Bürger)
- Wozzeck, Op. 16, Scene 4: "Marie! Geh einmal vor dich hin" (Marie)
- Wozzeck, Op. 16, Scene Epilogue: "Wir arme Leut" (Chor)
- Wozzeck, Op. 16, Scene 13: "Und ist kein Betrug in seinem Munde" (Marie)
- Wozzeck, Op. 16, Scene 2: "Du, der Platz ist verflucht!" (Wozzeck, Andres)
- Wozzeck, Op. 16, Scene 11: "Andres! Andres! Ich kann nicht schlafen!" (Wozzeck, Andres)
- Wozzeck, Op. 16, Scene 10: "Immerzu! Immerzu! Still, Musik!" (Wozzeck)
- Wozzeck, Op. 16, Scene 7: "Guten Tag, Franz" (Marie, Wozzeck)
- Wozzeck, Op. 16, Scene 8: "Frau Wirtin hat eine brave Magd" (Andres, Wozzeck, Chor-Tenöre)
- Wozzeck, Op. 16, Scene 5: "Wie die Steine glänzen!" (Marie, Wozzeck)
- Wozzeck, Op. 16, Scene 1: "Langsam, Wozzeck, langsam!" (Hauptmann, Wozzeck, Chor)
- Wozzeck, Op. 16, Scene 17: "Dort links gehts in die Stadt" (Marie, Wozzeck)
Y
- Yevipetskiye nochi (Egyptian Nights) Suite, Op. 61:VII. Roma militaris: Andante maestoso
- Yevipetskiye nochi (Egyptian Nights) Suite, Op. 61:V. Anthony: Andante mosso
- Yevipetskiye nochi (Egyptian Nights) Suite, Op. 61:II. Caesar, the Sphinx and Cleopatra: Andantino
- Yevipetskiye nochi (Egyptian Nights) Suite, Op. 61:VI. The Fall of Cleopatra: Lento doloroso
- Yevipetskiye nochi (Egyptian Nights) Suite, Op. 61:I. Night in Egypt: Adagio
- Yevipetskiye nochi (Egyptian Nights) Suite, Op. 61:IV. Dances: Allegretto
