热门歌曲
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Fantasia for Piano Chorus and Orchestra in C minor Op.80:2. Finale: b) Allegro - Allegretto ma non troppo (quasi Andante con moto) - Presto
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Brandenburg Concerto No.2 In F, BWV 1047:2. Andante
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Symphony No. 2 in D Major, Op. 36: I. Adagio molto - Allegro con brio
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Symphony No.9 in D minor, Op.125 - "Choral":2. Molto vivace
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Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Awakening of Cheerful Feelings upon Arrival in the Country. Allegro ma non troppo
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Orfeo ed Euridice: Act I Scene 1: Ah, se intorno a quest'urna funesta (Chorus, Orfeo)
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Paulus Op.36 MWV A14Part 1:No.15 Chor: "Mache dich auf! Werde Licht!"
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Symphony No. 9 in D Minor, WAB 109: I. Feierlich, misterioso (Ed. Nowak)
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The Bartered Bride: Overture
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Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
#
- 2 Episodes from Lenau's Faust, S. 110: II. Der Tanz in der Dorfschenke (Mephisto-Waltz)
- 2 Episoden aus Lenau's Faust, S. 110:I. Der nächtliche Zug
A
- "Lobgesang" in B Flat Major, Op.52, MWV A18:"Alles, was Odem hat"
- A Faust Symphony, S. 108:I. Faust
- Ariadne auf Naxos:"Die Dame gibt mit trüben Sinn" - "Wie sie sich schwingen"
- 'St. John Passion': Es Ist Vollbracht
- Ariadne auf Naxos:"Lieben, Hassen, Hoffen, Zagen"
- Aria: (B) Lass mein Herz die Münze sein
- Ariadne auf NaxosPrologue:"Du allmächtiger Gott!"
- Ariadne auf Naxos:"Großmächtige Prinzessin"
- "Lobgesang" in B Flat Major, Op.52, MWV A18:"Alles, was Odem hat"
- Ariadne auf NaxosPrologue:"Meine Partner, meine erprobten Freunde!"
- Arioso: (S A) Ich wollte dir
- Ariadne auf Naxos:"Ach! - Wo war ich?" - "Ein Schönes war"
- Ariadne auf Naxos:"Gibt es kein Hinüber?"
- Aria: (T) Nur jedem das Seine!
- Ariadne auf Naxos:"Hübsch gepredigt! Aber tauben Ohren!" - "Eine Stör- rische zu trösten"
- Aria: (S, A) Nimm mich mir und gib mich dir!
- Also hat Gott die Welt geliebt, BWV 68: Aria: Mein Glaeubiges Herze (Soprano): Recitative: Ich bin mit Petro nicht vermessen
- Ach, wenn wird die Zeit erscheinen?: Aria (Terzetto)
- Also hat Gott die Welt geliebt, BWV 68: Aria: Mein Glaeubiges Herze (Soprano): Aria: Du bist geboren mir zugute
- Ariadne auf NaxosPrologue:"Ein Augenblick ist wenig"
B
- Brandenburg Concerto No.2 In F, BWV 1047:2. Andante
- Brandenburg Concerto No.3 In G, BWV 1048:2. Adagio
- Brahms - Hungarian Dance No.5 in G minor
- Brandenburg Concerto No.3 In G, BWV 1048:2. Adagio
- Brandenburg Concerto No.3 In G, BWV 1048:2. Adagio
- Brandenburg Concerto No.3 In G, BWV 1048:2. Adagio
- Brandenburg Concerto No.3 In G, BWV 1048:2. Adagio
- Brandenburg Concerto No.3 In G, BWV 1048:2. Adagio
- Beethoven: Symphony No.9 in D minor Op.125:4. Finale - excerpt
- Brandenburg Concerto No.5 In D, BWV 1050:2. Affetuoso
- マリーンドルフ伯の辞意 (交響曲第4番ニ短調作品120 第2楽章)
- Brandenburg Concerto No.3 In G, BWV 1048:2. Adagio
- Brandenburg Concerto No.3 In G, BWV 1048:2. Adagio
- Bäche von gesalznen Zähren (Tenor Arie)
- Burlesque in D minor for Piano and Orchestra
- Brandenburg Concerto No.3 In G, BWV 1048:2. Adagio
- Brandenburg Concerto No.3 In G, BWV 1048:2. Adagio
C
- Christmas Oratorio, BWV 248Part One - For The First Day Of Christmas:No.5Choral: "Wie soll ich dich empfangen"
- Concerto For Violin And Cello In A Minor, Op.102:3. Vivace non troppo - Poco meno allegro - Tempo I
- Concerto For Violin And Cello In A Minor, Op.102:3. Vivace non troppo - Poco meno allegro - Tempo I
- Capriccio, Op.85:Introduction (Sextet)
- Coriolan, Op. 62: Overture
- Christ lag in Todes Banden, BWV 4: Duet: Den Tod niemand zwingenkunnt: Christ lag in Todes Banden, BWV 4: Versus 5: Hier ist das rechte Osterlamm
- Coriolan, Op. 62: Overture
- Christmas Oratorio BWV 248Part Six - For The Feast Of Epiphany:No.63 Rezitativ (Sopran Alt Tenor Ba?): "Was will der H?lle Schrecken nun?&
- Choral: Führ auch mein Herz und Sinn
D
- Don Quixote, Op.35:1. Introduktion (Mäßiches Zeitmaß)
- Don Quixote, Op.35:4. Variation 1 (Gemäßlich)
- Die Geschöpfe des Prometheus, Op. 43: Overture
- Der Rosenkavalier, Op.59: Sequences of Waltze:Second Sequence of Waltzes
- Don Quixote, Op.35:8. Variation 5 (Sehr langsam)
- Don Quixote, Op.35:9. Variation 6 (Schnell)
- 地球教徒への尋問 (組曲「展覧会の絵」(ラヴェル編) 第9曲:鶏の足の上に建ってる小屋)
- Dante Symphony, S. 109:II. Purgatorio
- 地球教支部への襲撃 (交響詩「禿山の一夜」<リムスキー=コルサコフ版>)
- Da Jesus geboren war zu BethlehemDie Weisen, Wo ist der neugeborne König der Jüden?: Recitativo (Evangelist)Chor, Recitativo
- Don Quixote, Op.35:3. Sancho Panza
- Don Quixote, Op.35:12. Variation 9 (Schnell und stürmisch)
- Don Quixote, Op.35:2. Don Quixote, der Ritter von der traurigen Gestalt
- Dante Symphony, S. 109:I. Inferno
- Dein Glanz all Finsternis verzehrt: Choral
- Der Rosenkavalier, Op.59: Sequences of Waltzes:First Sequence of Waltzes
- 対峙する侯爵夫人とアンネローゼ (交響曲第7番ホ短調「夜の歌」第1楽章)
- Don Quixote, Op.35:11. Variation 8
- Don Quixote, Op.35:14. Finale (Sehr ruhig)
- ヒルダの帝位継承権に関する法律論議 (交響曲第2番ハ長調作品61 第3楽章)
E
F
- Fantasia for Piano Chorus and Orchestra in C minor Op.80:2. Finale: b) Allegro - Allegretto ma non troppo (quasi Andante con moto) - Presto
- Fantasia for Piano, Chorus and Orchestra in C minor, Op.80 - original version:2. Finale: b) Allegro - Allegretto ma non troppo (quasi Andante con moto
- Fantasia on Themes from Beethoven's "The Ruins of Athens", S. 122
- Festklänge (Symphonic Poem No. 7 for Orchestra), S. 101
- Fantasia on Hungarian Folk Themes, for Piano and Orchestra, S. 123
- Fantasia on Themes from Beethoven's "The Ruins of Athens", S. 122
- Festklänge, S. 101
- 翻弄するラインハルト (交響曲第7番ホ短調「夜の歌」第5楽章)
G
- Genoveva, Op. 81, Act III: No. 15, Finale. "Ich sah ein Kind im Traum" & "Ei nun, wer stört sie?" &
- Genoveva, Op. 81, Act III: No. 13, Duet. "Nichts hält mich mehr" (SiegfriedMargaretha)
- Giulio Cesare HWV 17Act 3:"Piangerò la sorte mia" (Extract)
- Genoveva, Op. 81, Act. I: No. 1, Chorus and Recitative. "Erhebet Herz und Hände" & "Zu einem gottgefäll'ge
- Genoveva, Op. 81, Act II: No. 12, Finale. "Sacht, sacht, aufgemacht!" & "Zurück, ihr Schurken!" &
- Genoveva, Op. 81, Act II: No. 8, Scene, Chorus and Recitative. "O weh des Scheidens, das er tat" & "Füllet die Bech
- Genoveva, Op. 81, Act II: No. 11, Aria. "O du, der über alle wacht" (Genoveva)
- Genoveva, Op. 81, Act IV: No. 16, Scene, Lied and Aria. "Steil und steiler ragen die Felsen" & "Sie hatten beid&
- Genoveva, Op. 81, Act I: No. 5, Chorus. "Auf, auf in das Feld!" (ChorusGenovevaSiegfriedGolo)
- Genoveva, Op. 81, Act IV: No. 18, Recitative, Trio and Scene with Chorus. "Weib, heuchelt nicht" & "Umsonst versuch
- Götterdämmerung, WWV 86D:Siegfried's Funeral March
- Genoveva, Op. 81, Act IV: N. 17, Scene. "Kennt Ihr den Ring?" & "Ihr Männer, tretet vor!" & &q
- Genoveva, Op. 81, Act I: No. 7, Finale. "Sieh da, welch feiner Rittersmann!" & "Was hab ich getan" &am
- Genoveva, Op. 81, Act I: No. 3, Duet. "So wenig Monden erst" (SiegfriedGenoveva)
- Grieg: Peer Gynt, Op.23 - Concert version by Kurt Masur & Friedhelm Eberle - "In the Hall of the Mountain King"
- Genoveva, Op. 81, Act I: No. 2, Recitative and Aria. "Möcht' ziehn mit ihnen!" & "Frieden zieh' i
- Genoveva, Op. 81, Act III: No. 14, Recitative, Lied and Duet. "Ja, wart' du bis zum jüngsten Tag" & "Bald
- Genoveva, Op. 81, Act II: No. 10, Duet and Scene. "Dem Himmel Dank" & "Ich lauscht' an der Tür" &
- Genoveva, Op. 81, Act IV: No. 21, Finale. "Seid mir gegrüßt" & "Erschalle, festlicher Sang" (ChorusSiegfri
- Genoveva, Op. 81, Act IV: No. 19, Duet. "O laß es ruhn, dein Aug', auf mir!" & "Kommt alle mit ins Schloß&
- Genoveva, Op. 81: Overture
- Genoveva, Op. 81, Act I: No. 6, Recitative and Scene. "Der rauhe Kriegsmann!" & "O Lippen, süße Lippen!" (
H
- Hungarian Rhapsody No.6 in D, S.359 No.6 (Corresponds with piano version no. 9 in E flat) - Orch. Liszt
- Hungarian Rhapsody No.2 in D minor, S.359 No.2
- Hungarian Rhapsody No.4 in D minor, S.359 No.4 (Corresponds piano version no. 12 in C sharp minor) - Orch. Liszt
- Hungarian Rhapsody No.5 in E minor, S.359 No.5 (Corresponds with piano version no. 5 in E minor) - Orch. Liszt
- Hungarian Rhapsody No.3 in D, S.359 No.3 (Corresponds with piano version no. 6 in D flat) - Orch. LisztDoppler
- Hungarian Rhapsody No.1 in F minor, S.359 No.1 (Corresponds with piano version no. 14 in F minor) - Orch. LisztDoppler
I
J
- 決闘会場 (交響曲第7番ホ短調「夜の歌」第2楽章)
- Johannes-Passion, BWV 245:Teil 2: No. 28, Er nahm alles wohl in acht
- Johannes-Passion, BWV 245:Teil 2: No. 30, Es ist vollbracht (Aria)
- Johannes-Passion, BWV 245:Teil 1: No. 5, Dein Will' gescheh, Herr Gott, zugleich
- 剣による再戦を申し出る暗殺者 (交響曲第7番ホ短調「夜の歌」第2楽章)
- Johannes-Passion, BWV 245:Teil 2: No. 37, O hilf, Christe, Gottes Sohn
- 結婚式の朝 (交響曲第1番変ロ長調作品38「春」第1楽章)
- Johannes-Passion, BWV 245:Teil 2: No. 19, Betrachte meine Seel (Arioso)
- Johannes-Passion, BWV 245:Teil 1: No. 6, Die Schar aber und der Oberhauptmann
- Johannes-Passion, BWV 245:Teil 2: No. 17, Ach, großer König
- Johannes-Passion, BWV 245:Teil 1: No. 9, Ich folge dir gleichfalls (Aria)
- Johannes-Passion, BWV 245:Teil 2: No. 34, Mein Herz, in dem die ganze Welt (Arioso)
- Johannes-Passion, BWV 245:Teil 1: No. 2, Jesus ging mit seinen Jüngern
- Johannes-Passion, BWV 245:Teil 2: No. 21, Und die Kriegsknechte flochten eine Krone... Sei gegrüßet, lieber Judenkönig
- Johannes-Passion, BWV 245:Teil 1: No. 12, Und Hannas sandte ihn gebunden... Bist du nicht seiner Jünger einer... Er leugnete aber
- Johannes-Passion, BWV 245:Teil 2: No. 39, Ruht wohl, ihr heiligen Gebeine
- Johannes-Passion, BWV 245:Teil 1: No. 7, Von den Stricken meiner Sünden (Aria)
- Johannes-Passion, BWV 245:Teil 1: No. 3, O große Liebe
- Johannes-Passion, BWV 245:Teil 2: No. 22, Durch dein Gefängnis, Gottes Sohn
- Johannes-Passion, BWV 245:Teil 1: No. 14, Petrus der nicht denkt zurück
- Johannes-Passion, BWV 245:Teil 2: No. 25, Allda kreuzigten sie ihn... Schreibe nicht: der Jüden König
- ラインハルトの決意 (交響曲第1番変ロ長調作品38「春」第1楽章)
- クラインゲルトの決断~帝国軍脱出 (交響曲第7番ホ短調「夜の歌」第3楽章)
- Johannes-Passion, BWV 245:Teil 2: No. 32, Mein teurer Heiland, lass dich fragen (Aria e Coro)
- Johannes-Passion, BWV 245:Teil 1: No. 13, Ach mein Sinn (Aria)
- Johannes-Passion, BWV 245:Teil 2: No. 20, Erwäge wie sein blutgefärbter Rücken (Aria)
- Johannes-Passion, BWV 245:Teil 2: No. 27, Die Kriegsknechte aber... Lasset uns den nicht zerteilen
- Johannes-Passion, BWV 245:Teil 2: No. 26, In meines Herzens Grunde
- Johannes-Passion, BWV 245:Teil 2: No. 35, Zerfließe, mein Herze (Aria)
- Johannes-Passion, BWV 245:Teil 2: No. 18, Da sprach Pilatus zu ihm... Nicht diesen, sondern Barrabam
- Johannes-Passion, BWV 245:Teil 1: No. 4, Auf dass das Wort erfüllet würde
- Johannes-Passion, BWV 245:Teil 2: No. 23, Die Jüden aber schrien und sprachen... Lässest du diesen los
- Johannes-Passion, BWV 245:Teil 2: No. 24, Eilt, ihr angefochtnen Seelen (Aria)
- Johannes-Passion, BWV 245:Teil 1: No. 1, Herr, unser Herrscher
K
- Kate and the Devil, Op. 112: "Höllentanz"
- Kate and the Devil, Op. 112: Act III - Prelude
- Konzert für Klavier, Violine, Violoncello und Orchester C-dur op.56 "Tripelkonzert":III. Rondo alla polacca
- Konzert für Klavier, Violine, Violoncello und Orchester C-dur op.56 "Tripelkonzert":I. Allegro
L
- Liebeslieder-Walzer, Op.52 - Orchestral Version:No.4
- Leonore, Op. 72a: Overture No. 2
- Leonora Overture No. 2, Op. 72a
- Liebeslieder-Walzer, Op.52 - Orchestral Version:No.5
- Lachian Dances, JW VI17: No. 6, Saw Dance
- Liebeslieder-Walzer, Op.52 - Orchestral Version:No.2
- Lachian Dances, JW VI17: No. 1, Old-Time Dance
- Leonore, Op. 138: Overture No. 1 in C Major
- Lobet Gott in seinen Reichen, BWV 11
- Lohengrin, WWV 75:Prelude To Act I
- Liebeslieder-Walzer, Op.52 - Orchestral Version:No.11
- Liebeslieder-Walzer, Op.52 - Orchestral Version:No.9
- Liebeslieder-Walzer, Op.52 - Orchestral Version:No.1
- Liebeslieder-Walzer, Op.52 - Orchestral Version:No.8
- Lachian Dances, JW VI17: No. 3, Blacksmith's Dance
M
- Mediterranean Songs:The Old Ships (James Elroy Flecker)
- Mein Liebster herrschet schon: Recitativo
- Missa solemnis, Op. 123:Agnus Dei. Adagio - Presto
- Mediterranean Songs:Lines written in a album at Malta (Lord Byron)
- Magnificat in D Major, BWV 243:No. 9, Esurientes implevit bonis
- Magnificat in D Major, BWV 243:No. 3, Quia respexit humilitatem
- Magnificat in D Major, BWV 243:No. 5, Quia fecit mihi magna
- Missa solemnis, Op. 123:Credo. Allegro ma non troppo
- Missa solemnis, Op. 123:Gloria. Allegro vivace
- Mediterranean Songs:The Centaurs (James Stephens)
- Moralities (1967):3. "Ein Schiff stach in See, verließ den Hafen" - Rauh wird die Nacht
- Man singet mit Freuden vom Sieg, BWV 149: Ach Herr, lass dein lieb Engelein
- Missa solemnis, Op. 123:Sanctus. Adagio
- Malédiction in E Minor, for Piano and Orchestra, S. 121
- Mediterranean Songs:Stanzas written in dejection near Naples (Shelley)
- Moralities (1967):1. "In Urzeiten lebten friedlich" - Higgeli Pigelli"
- Mediterranean Songs:Nemea (Lawrence Durrell)
- Moralities (1967):2. "Ehe Zeit war, zu des Anfangs Beginn" - "Schwarz sollt ihr sein"
N
- No. 8: "Letzte Stunde, brich herein"
- No. 3, "Wenn kömmst du, mein Heil"
- No. 7, "Gloria sei dir gesungen"
- No. 6: "Alleluja"
- No. 4, "Komm in mein Herzenshaus"
- No. 1, "Ein feste Burg ist unser Gott"
- No. 3: "Lasset dem Höchsten ein Danklied erschallen"
- No. 4, "Zion hört die Wächter singen"
- No. 7, "Wie selig sind doch die, die Gott im Munde tragen"
- Night on Bald Mountain
- No. 1: "Erfreut euch, ihr Herzen"
- No. 2, "Er kommt, der Bräutigam kommt"
- No. 6, "So stehe dann"
- No. 6: "Adam muß in uns verwesen"
- No. 6, "Mein Freund ist mein! Und ich bin dein!"
- No. 2, "Alles, was von Gott geboren"
- No. 1, "Wachet auf, ruft uns die Stimme"
- No. 3, "Erwäge doch, Kind Gottes"
- No. 8, "Das Wort sie sollen lassen stahn"
- No. 5, "Und wenn die Welt voll Teufel war"
O
- Orfeo ed Euridice: Act I Scene 1: Ah, se intorno a quest'urna funesta (Chorus, Orfeo)
- Orfeo ed Euridice: Act I Scene 2: Aria: Gli sguardi trattieni (Amore)
- Orpheus (Symphonic Poem No. 4 for Orchestra), S. 98
- Orfeo ed Euridice: Act III Scene 3: Maestoso
- Orfeo ed Euridice: Act I Scene 2: Recitativo: T'assiste Amore! (Amore, Orfeo)
- Orfeo ed Euridice: Act III Scene 2: Recitativo: Orfeo, che fai? (Amore, Orfeo)
- Overture "Namensfeier", Op. 115
- Orfeo ed Euridice: Act II Scene 1: Deh placatevi con me (Orfeo, Chorus)
- Orfeo ed Euridice: Act I Scene 1: Ballo
- Orfeo ed Euridice: Act III Scene 1: Recitativo: Ah finisca e per sempre (Orfeo)
- Orfeo ed Euridice: Act I Scene 1: Recitativo: Euridice, ombra cara (Orfeo)
- Orfeo ed Euridice: Overture
- Orfeo ed Euridice: Act III Scene 1: Aria: Che fiero momento (Euridice)
- Orfeo ed Euridice: Act II Scene 2: Recitativo: Anime avventurose (Orfeo, Chorus)
- Orfeo ed Euridice: Act I Scene 1: Aria: Piango il mio ben cosi (Orfeo)
- Orfeo ed Euridice: Act II Scene 2: Vieni a' regni del riposo (Chorus)
- Orfeo ed Euridice: Act III Scene 1: Duetto: Vieni appaga il tuo consorte (Orfeo, Euridice)
- Orfeo ed Euridice: Act I Scene 1: Ah, se intorno a quest'urna funesta (Chorus)
- Orfeo ed Euridice: Act II Scene 1: Ballo
- Orfeo ed Euridice: Act II Scene 1: Chi mai dell'Erebo fra le caligini (Chorus)
- Orfeo ed Euridice: Act II Scene 1: Aria: Men tiranne (Orfeo)
- Orfeo ed Euridice: Act II Scene 1: Aria: Mille pene (Orfeo)
- Orfeo ed Euridice: Act III - "Che faro senza Euridice?"
- Orfeo ed Euridice: Act II Scene 1: Misero giovane, che vuoi, che mediti (Chorus)
- Overture "Namensfeier", Op. 115
- Orfeo ed Euridice: Act II Scene 2: Torna, o bella, al tuo consorte (Chorus)
- Overture "Leonore No. 3", Op. 72 b
- Orfeo ed Euridice: Act I Scene 1: Recitativo: Euridice, Euridice! (Orfeo)
- Orfeo ed Euridice: Act III Scene 1: Recitativo: Ecco in nuovo tormento! (Orfeo, Euridice)
- Orfeo ed Euridice: Act I Scene 1: Recitativo: Numi, Barbari Numi (Orfeo)
- Orfeo ed Euridice: Act III Scene 1: Recitativo: Qual vita e questa mai (Euridice)
- Orfeo ed Euridice: Act I Scene 1: Aria: Chiamo il mio ben cosi (Orfeo)
- Overture "Coriolan", Op. 62
- Orfeo ed Euridice: Act II Scene 2: Ballo
- Orfeo ed Euridice: Act I Scene 2: Recitativo: Che disse? Che ascoltai? (Orfeo)
- Orfeo ed Euridice: Act III - Trionfi Amore
- Orfeo ed Euridice: Act I Scene 1: Aria: Cerco il mio ben cosi (Orfeo)
- Orfeo ed Euridice: Act I Scene 1: Recitativo: Basta, basta, o compagni (Orfeo)
- Orfeo ed Euridice: Act II Scene 1: Ah, quale incognito affetto flebile (Chorus)
- Orfeo ed Euridice: Act II Scene 2: Arioso: Che puro ciel (Orfeo, Chorus)
P
- Paulus Op.36 MWV A14Part 1:No.15 Chor: "Mache dich auf! Werde Licht!"
- Paulus Op.36 MWV A14Part 2:Rez.: "Da ward das Volk" - Chor: "Hier ist des Herren Tempel" - Rez.: "Und sie
- Prélude à L'après-midi D'un faune
- Paulus Op.36 MWV A14Part 2:No.29 Chor und Choral: "Ist das nicht" - "O Jesu Chri- te"
- Paulus Op.36 MWV A14Part 1:No.8 Rezitativ und Chor: "Sie aber stürmten auf ihn ein"
- Paulus Op.36 MWV A14Part 2:Rezitativ: "Paulus aber" - Duett: "Denn also hat uns"
- Paulus Op.36 MWV A14Part 1:No.7 Arie: "Jerusalem! Die du t?test die Propheten"
- Piano Concerto No. 1 in E-Flat Major, S. 124: III. Allegretto vivace - Allegro animato -
- Paulus Op.36 MWV A14Part 2:No.45 Schlusschor: "Nicht aber ihm allein"
- Paulus Op.36 MWV A14Part 1:No.14 Rezitativ mit Chor: "Und als er auf dem Wege war
- Paulus Op.36 MWV A14Part 2:No.40 Kavatine: "Sei getreu bis in den Tod"
- Paulus Op.36 MWV A14Part 1:No.20 Arie mit Chor: "Ich danke dir Herr mein Gott"
- Paulus Op.36 MWV A14Part 2:No.26 Chor: "Wie lieblich sind die Boten"
- Paulus Op.36 MWV A14Part 2:No.35 Chor: "Sei uns gn?dig"
- Paulus Op.36 MWV A14Part 1:No.1 Ouvertüre
- Pictures at an Exhibition: V. The Ballet of Unhatched Chicks in their Shells
- Piano Concerto No. 2 in A Major, S. 125: I. (a) Adagio sostenuto assai -
- Paulus Op.36 MWV A14Part 1:No.3 Choral: "Allein Gott in der H?h' sei Ehr"
- Piano Concerto No. 2 in A Major, S. 125: IV. Allegro animato
- Paulus Op.36 MWV A14Part 1:No.17 Rezitativ: "Die M?nner aber"
- Paulus Op.36 MWV A14Part 2:Rez.: "Und es war ein Mann" - Chor: "Die G?tter sind"- Rez.: "Und nannten Barn
- Pictures at an Exhibition: Promenade I
- Peer Gynt, Op.23 - Concert version by Kurt Masur & Friedhelm Eberle:Prelude: Morning Mood
- Paulus Op.36 MWV A14Part 1:No.4 Rezitativ und Duett: "Die Menge der gl?ubigen"
- Pictures at an Exhibition: Promenade IV
- Paulus Op.36 MWV A14Part 2:No.44 Rezitativ: "Und wenn er gleich geopfert wird"
- Peer Gynt Op.23 - Concert version by Kurt Masur & Friedhelm Eberle:Prelude: Morning Mood
- Paulus Op.36 MWV A14Part 2:No.41 Rezitativ: "Paulus sandte hin"
- Polonaise brillante, for Piano and Orchestra, S. 367 (Arr. from Weber, Op. 79)
- Paulus Op.36 MWV A14Part 2:No.27 Rezitativ und Arioso: "Und wie sie ausgesandt" - "Lasst uns singen von der Gnade"
- Piano Concerto No. 2 in A Major, S. 125: III. (a) Allegro deciso -
- Paulus Op.36 MWV A14Part 1:No.16 Choral: "Wachet auf! ruft uns die Stimme"
- Paulus Op.36 MWV A14Part 2:No.25 Duettino: "So sind wir nun Botschafter"
- Piano Concerto No.5 in F minor, Bwv 1056:2. Largo
- Piano Concerto No. 2 in A Major, S. 125: III. (b) Marziale un poco meno allegro - Un poco animato - Un poco meno mosso -
- Paulus Op.36 MWV A14Part 1:No.18 Arie: "Gott sei mir gn?dig"
- Paulus Op.36 MWV A14Part 2:No.24 Rezitativ: "Und Paulus kam"
- Paulus Op.36 MWV A14Part 2:Rezitativ : "Da das die Apostel h?rten" - "Ihr M?nner was macht ihr da"
- Piano Concerto No. 1 in B-Flat Minor, Op. 23: I. Allegro non troppo e molto maestoso
- Piano Concerto No. 1 in E-Flat Major, S. 124: II. Quasi adagio -
- Piano Concerto No. 1 in E-Flat Major, S. 124: I. Allegro maestoso -
- Pictures at an Exhibition: VIII. Catacombae (Sepulchrum Romanum), Con mortuis in lingua Mortua
- Paulus Op.36 MWV A14Part 1:No.19 Rezitativ: "Es war aber ein Jünger"
- Paulus Op.36 MWV A14Part 2:Arie und Chor: "Wisset ihr nicht" - "Aber unser Gott ist im Himmel" - "Wir gla
- Pictures at an Exhibition: IX. The Hut of Baba Yaga
- Piano Concerto No. 2 in B-Flat Major, Op. 83:4. Allegretto grazioso - Un poco più presto
- Paulus Op.36 MWV A14Part 2:No.23 Chor: "Der Erdkreis ist nun des Herrn"
- Piano Concerto No. 2 in A Major, S. 125: II. Allegro moderato -
- Pictures at an Exhibition: VI. Samuel Goldenberg and Schmuÿle
- Pictures at an Exhibition: I. The Gnome
- Paulus Op.36 MWV A14Part 1:No.10 Rezitativ: "Und die Zeugen legten ab ihre Klei- der"
- Paulus Op.36 MWV A14Part 1:No.21 Rezitativ: "Und Ananias ging hin"
- Pictures at an Exhibition: Promenade III
- Paulus Op.36 MWV A14Part 1:No.5 Chor: "Dieser Mensch h?rt nicht auf"
- Pictures at an Exhibition: III. Tuileries
- Piano Concerto No. 1 in E-Flat Major, S. 124:I. Allegro maestoso
- Paulus Op.36 MWV A14Part 1:No.11 Chor: "Siehe! Wir preisen selig"
- Piano Concerto No. 2 in A Major, S. 125: I. (b) Allegro agitato assai - Un poco più mosso - Tempo del andante -
- Piano Concerto No.2 in E, Bwv 1053:2. Siciliano
- Paulus Op.36 MWV A14Part 1:No.2 Chor: "Herr! Der du bist der Gott"
R
- Rhapsody in Blue
- Recitativo: (B) Du bist, mein Gott, der Geber aller Gaben
- Rhapsody In Blue
- Romance for Cello and Orchestra in F, TrV 118
S
- Symphony No. 2 in D Major, Op. 36: I. Adagio molto - Allegro con brio
- Symphony No.9 in D minor, Op.125 - "Choral":2. Molto vivace
- Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Awakening of Cheerful Feelings upon Arrival in the Country. Allegro ma non troppo
- Symphony No. 9 in D Minor, WAB 109: I. Feierlich, misterioso (Ed. Nowak)
- Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": II. Marcia funebre. Adagio assai
- St. Matthew Passion, BWV 244: Part I: Recitative: Er antwortete und sprach
- Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Thunderstorm. Allegro
- Serenade No. 2 in A Major, Op. 16:2. Scherzo (Vivace)
- Symphony No.1 in C, Op.21:2. Andante cantabile con moto
- Symphony No. 2, Op. 36: IV. Allegro molto
- ラインハルトの勝利 (交響曲第7番ホ短調「夜の歌」第2楽章:夜の歌I)
- Symphony No. 9 in D Minor, Op. 125: III. Adagio molto e cantabile
- Symphony No. 2, Op. 36: III. Scherzo. Allegro
- Symphony No. 9, Op. 125: II. Molto vivace
- Symphony No. 9 in D Minor, Op. 125: I. Allegro ma non troppo, un poco maestoso
- Symphony No. 8 in C Minor, WAB 108: III. Adagio. Feierlich langsam, doch nicht schleppend (1877, 90 version, Ed. Haas)
- Symphony No. 4, Op. 60: III. Menuetto - Trio. Allegro vivace - Un poco meno allegro
- Symphony No. 6, Op. 68 "Pastorale": IV. Gewitter, Sturm, Allegro
- Symphony No.1 in C, Op.21:3. Menuetto (Allegro molto e vivace)
- Symphony No. 5 in C Minor, Op. 67: III. Allegro
- Symphony No. 3, Op. 55 "Eroica": IV. Finale. Allegro molto - Poco andante - Presto
- Symphony No. 6, Op. 68 "Pastorale": II. Scene am Bach, Andante molto moto
- Symphony No. 1 in C Minor, Op. 68:I. Un poco sostenuto - Allegro (Live)
- Symphony No. 9 in D Minor, Op. 125 "Choral": II. Molto vivace
- Symphony No. 2 in D Major, Op. 36: III. Scherzo. Allegro
- Symphonie "Die Harmonie der Welt":3. Musica Mundana. Sehr breit - Passacaglia. Ruhig bewegt
- Symphony No. 7 in E Major, WAB 107: I. Allegro moderato (Ed. Haas)
- Symphony No.1 in C, Op.21:2. Andante cantabile con moto
- Symphony No. 9 in D Minor, Op. 125: II. Molto vivace
- Symphony No. 5 in B-Flat Major, WAB 105: IV. Finale. Adagio – Allegro moderato (Ed. Nowak)
- Symphony No. 1 in C Minor, Op. 68:III. Un poco allegretto e grazioso (Live)
- Symphony No. 1 in B-Flat Major, Op. 38 "Spring": I. Andante un poco maestoso - Allegro molto vivace
- Symphony No.1 in C, Op.21:2. Andante cantabile con moto
- Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace
- Symphony No. 5, Op. 67: IV. Allegro
- Symphony No. 7, Op. 92: IV. Allegro con brio
- Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": IV. Finale. Allegro molto
- Symphony No. 5 in C Minor, Op. 67: IV. Allegro
- Symphony No.9 in D minor, Op.125 - "Choral":1. Allegro ma non troppo, un poco maestoso
- Symphony No. 3 in D Minor, WAB 103: III. Scherzo. Ziemlich schnell (1890 Version, Ed. Raettig)
- Symphony No. 2 in C Minor, WAB 102: I. Moderato (1877 Version, Ed. Haas)
- Symphony No. 1 in C Major, Op. 21: III. Menuetto
- Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": II. Andante quasi allegretto (1886 Version, Ed. Nowak)
- Symphony No.1 in C, Op.21:3. Menuetto (Allegro molto e vivace)
- Symphony No.1 in C, Op.21:3. Menuetto (Allegro molto e vivace)
- Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Shepherd's Song. Happy and Thankful Feelings After the Storm. Allegretto
- Symphony No. 4 in E-Flat Major - "Romantic", WAB 104 - Version 18781880:4. Finale (Bewegt, doch nicht zu schnell)
- Symphony No.1 in C, Op.21:2. Andante cantabile con moto
- Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale. Presto
- Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
- Symphony No. 9 in D Minor, WAB 109: III. Adagio. Langsam, feierlich (Ed. Nowak)
- Serenade No.2 in A Major, Op.16:4. Quasi menuetto - Trio
- Symphony No. 1 in C Minor, WAB 101: II. Adagio (Linz Version, Ed. Haas)
- Symphony No.1 in C, Op.21:3. Menuetto (Allegro molto e vivace)
- Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
- St. Matthew Passion, BWV 244: Part I: Chorale: Ich bin's, ich sollte bussen
- Symphony No. 5 in C Minor, Op. 67: III. Scherzo. Allegro
- Symphony No. 7, Op. 92: I. Poco sostenuto - Vivace
- Symphony No. 8 in C Minor, WAB 108: II. Scherzo. Allegro moderato (1877, 90 version, Ed. Haas)
- Symphony No. 9 in D Minor, Op. 125 "Choral": IV. Finale. Presto - Allegro assai
- Symphony No. 4 in E-Flat Major - "Romantic", WAB 104 - Version 18781880:1. Bewegt, nicht zu schnell
- Symphony No. 6, Op. 68 "Pastorale": IV. Hirtengesang. Frohe, dankbare Gefühlte nach dem Sturm, Allegretto
- Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio
- Symphony No. 1, Op. 21: IV. Finale. Adagio - Allegro molto e vivace
- Symphony No. 1 in B-Flat Major, Op. 38 "Spring": IV. Allegro animato e grazioso
- Symphony No. 1 in C Major, Op. 21: III. Menuetto - Allegro molto e vivace
- Symphony No. 3, Op. 55 "Eroica": II. Marcia funèbre. Adagio assai
- Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
- Sinfonia
- Symphony No. 1, Op. 68: Adagio - più andante - Allegro non troppo, ma con brio - più allegro
- Symphony No. 9 in D Minor, Op. 125: IV. Finale. Presto
- Symphony No. 1, Op. 21: II. Andante cantabile con molto
- Symphony No. 4, Op. 60: I. Adagio - Allegro vivace
- Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Shepherd's Song. Happy and Thankful Feelings After the Storm. Allegretto
- Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto
- Symphony No. 9, Op. 125: III. Adagio molto e cantabile - Andante moderato
- Symphony No. 2 in D Major, Op. 36: II. Larghetto
- Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
- Symphony No. 4 in B-Flat Major, Op. 60: III. Allegro vivace
- Symphony No. 4 in E-Flat Major - "Romantic", WAB 104 - Version 18781880:3. Scherzo (Bewegt) - Trio (Nicht zu schnell. Keinesfalls sc
- Symphony No. 1 in C Major, Op. 21: II. Andante cantabile con moto
- Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
- Symphony No. 7 in A Major, Op. 92: III. Presto, assai meno presto
- Symphony No. 5 in B-Flat Major, WAB 105: II. Adagio. Sehr langsam (Ed. Nowak)
- Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": IV. Finale. Bewegt, doch nicht zu schnell (1886 Version, Ed. Nowak)
- Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene by the Brook. Andante molto mosso
- Symphony No. 7 in A Major, Op. 92: II. Allegretto
- Symphony No. 2 in D Major, Op. 36: I. Adagio molto - Allegro molto
- Symphony No. 1 in B-Flat Major, Op. 38 "Spring": III. Scherzo: Molto vivace
- Symphony No. 1, Op. 68: I. Un poco sostenuto - Allegro - Meno allegro
- Symphony No. 7 in A Major, Op. 92: III. Presto, assai meno presto
- St. Matthew Passion, BWV 244: Part I - "Kommt, ihr Töchter, helft mir klagen"
- Symphony No. 7, Op. 92: II. Allegretto
- Symphony No. 9 in D Minor, Op. 125 "Choral": I. Allegro ma non troppo, un poco maestoso
- Symphony No. 2 in D Major, Op. 36: II. Larghetto
- Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene by the Brook. Andante molto mosso
- Symphony No.9 in D minor, Op.125 - "Choral":4. - Presto - "O Freunde nicht diese Töne" -
- Symphony No. 7 in A Major, Op. 92: IV. Allegro con brio
- Symphony No. 2, Op. 36: II. Larghetto
- キュンメル事件 (組曲「展覧会の絵」(ラヴェル編) 第1曲:グノムース)
- Symphony No. 8, Op. 93: IV. Allegro vivace
- Symphony No. 2 in D Major, Op. 36: IV. Allegro molto
- Symphony No. 8 in F Major, Op. 93: I. Allegro vivace e con brio
- Symphony No. 6 in F Major, Op. 68 "Pastoral": V. Shepherd's Song. Happy and Thankful Feelings After the Storm. Allegretto
- Symphony No. 1 in C Major, Op. 21: IV. Adagio - Allegro molto
- Symphony No.1 in C, Op.21:2. Andante cantabile con moto
- Symphony No. 4 in E-Flat Major - "Romantic", WAB 104 - Version 18781880:2. Andante quasi allegretto
- Symphony No. 5 in C Minor, Op. 67: I. Allegro con brio
- Symphony No.1 in C, Op.21:3. Menuetto (Allegro molto e vivace)
- Symphony No. 3 in D Minor, WAB 103: IV. Finale. Allegro (1890 Version, Ed. Raettig)
- Serenade No.2 in A Major Op.16:4. Quasi menuetto - Trio
- Symphony No. 1, Op. 68: Un poco allegretto e grazioso
- Symphony No. 6, Op. 68 "Pastorale": III. Lustiges Zusammensein der Landleute, Allegro
- Symphony No. 6 in A Major, WAB 106: II. Adagio. Sehr feierlich (Ed. Nowak)
- Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": I. Bewegt, nicht zu schnell (1886 Version, Ed. Nowak)
- Symphony No. 8 in C Minor, WAB 108: IV. Finale. Feierlich, nicht schnell (1877, 90 Version, Ed. Haas)
- Symphony No. 4, Op. 60: II. Adagio
- Symphony No. 4 in B-Flat Major, Op. 60: I. Adagio - Allegro vivace
- Symphony No. 1 in C Major, Op. 21: IV. Finale. Adagio - Allegro molto e vivace
- Symphony No. 7, Op. 92: III. Scherzo. Presto
- Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Thunderstorm. Allegro
- Serenade No.1 in D Major Op.11:1. Allegro molto
- Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
- Symphony No. 8 in F Major, Op. 93: III. Tempo di menuetto
- Symphony No. 9, Op. 125: I. Allegro ma non troppo, un poco maestoso
- Symphony No. 3 in D Minor, WAB 103: II. Adagio, etwas bewegt, Quasi andante (1890 Version, Ed. Raettig)
- Serenade No.2 in A Major Op.16:3. Adagio non troppo
- Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": III. Scherzo. Allegro vivace
- Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto - Allegro vivace
- フーゲンベルヒ、死す (交響曲第4番ニ短調作品120 第1楽章)
- Serenade No.2 in A Major, Op.16:5. Rondo (Allegro)
- Symphony No. 5 in B-Flat Major, WAB 105: I. Introduktion. Adagio – Allegro (Ed. Nowak)
- St. Matthew Passion, BWV 244Part Two:No.52 Aria (Alto): "Können Tränen meiner Wangen"
- Serenade No.1 in D Major Op.11:5. Scherzo (Allegro)
- Serenade No.2 in A Major, Op.16:1. Allegro moderato
- Serenade No.1 in D Major Op.11:4. Menuetto I-II
- Symphony No.3 in F, Op.90:3. Poco allegretto
- Serenade No.2 in A Major Op.16:2. Scherzo (Vivace)
- Symphony No. 8 in F Major, Op. 93: II. Allegretto scherzando
- Symphony No. 3 in E-Flat Major, Op. 55 "Eroica": I. Allegro con brio
- Symphony No. 1 in C Minor, WAB 101: IV. Finale. Bewegt, feurig (Linz Version, Ed. Haas)
- Symphony No. 6 in F Major, Op. 68 "Pastoral": IV. Thunderstorm. Allegro
- Symphony No. 6 in F Major, Op. 68 "Pastoral": III. Merry Gathering of Country Folk. Allegro
- Symphony No. 1, Op. 68: II. Andante sostenuto
- Symphony No. 7 in E Major, WAB 107: IV. Finale. Bewegt, doch nicht zu schnell (Ed. Haas)
- Symphony No.9 in D minor, Op.125 - "Choral":4. - Allegro assai - Alla marcia (Allegro vivace assai) - Andante maestoso - Allegro ene
- Symphony No. 2 in C Minor, WAB 102: II. Andante. Feierlich, etwas bewegt (1877 Version, Ed. Haas)
- Sarasate: Navarra For Two Violins, Op.33
- Symphony No. 6 in A Major, WAB 106: I. Majestoso (Ed. Nowak)
- Serenade No.2 in A Major, Op.16:3. Adagio non troppo
- Symphony No. 8 in F Major, Op. 93: IV. Allegro vivace
- Serenade No.1 in D Major Op.11:2. Scherzo (Allegro non troppo) - Trio (Poco più moto)
- Symphony No. 2 in C Minor, WAB 102: IV. Finale. Mehr schnell (1877 Version, Ed. Haas)
- St. Matthew Passion, BWV 244Part Two:No.68 Chorus III: "Wir setzen uns mit Tränen nieder"
- Symphony No. 4 in E-Flat Major, WAB 104 "Romantic": III. Scherzo. Bewegt – Trio. Nicht zu schnell (1886 Version, Ed. Nowak)
- Serenade No.2 in A Major Op.16:5. Rondo (Allegro)
- Symphony No.1 in C, Op.21:2. Andante cantabile con moto
- Symphony No. 8 in C Minor, WAB 108: I. Allegro moderato (1877, 90 Version, Ed. Haas)
- Symphony No. 6 in F Major, Op. 68 "Pastoral": I. Awakening of Pleasant Feelings Upon Arrival in the Country. Allegro ma non troppo
- Symphony No. 1 in C Minor, WAB 101: III. Scherzo. Schnell (Linz Version, Ed. Haas)
- St. Matthew Passion, BWV 244: Part I: Recitative and Chorus: Aber am ersten Tage der sussen Brot
- Symphony No. 3 in D Minor, WAB 103: I. Mäßig bewegt (1890 Version, Ed. Raettig)
- Symphony No. 6 in A Major, WAB 106: III. Scherzo. Nicht schnell – Trio. Langsam (Ed. Nowak)
- Symphony No. 6 in A Major, WAB 106: IV. Finale. Bewegt, doch nicht zu schnell (Ed. Nowak)
- Symphony No. 7 in A Major, Op. 92: I. Poco sostenuto - Vivace
- Serenade No.2 in A Major Op.16:1. Allegro moderato
- Symphony No. 2 in D Major, Op. 36: I. Adagio molto - Allegro molto
- Symphony No.1 in C, Op.21:3. Menuetto (Allegro molto e vivace)
- Symphony No. 7 in A Major, Op. 92: II. Allegretto
- Symphony No. 9 in D Minor, Op. 125 "Choral": III. Adagio molto e cantabile - Andante moderato
- Symphony No. 6 in F Major, Op. 68 "Pastoral": II. Scene By the Brook. Andante molto mosso
- Symphony No. 1 in C Major, Op. 21: I. Adagio molto - Allegro con brio
- Symphony No. 2 in C Minor, WAB 102: III. Scherzo. Mäßig schnell (1877 Version, Ed. Haas)
T
- The Bartered Bride: Overture
- Triple Concerto in C Major, Op. 56: II. Largo
- Totentanz (Paraphrase über Dies Irae), S. 126
- The Bartered Bride: Act III - Dance of the Comedians
- Tasso Lamento e Trionfo
- Till Eulenspiegel's Merry Pranks (Till Eulenspiegels lustige Streiche), Op. 28
- Totentanz, S. 126
- The Hebrides, Op. 26 "Fingal's Cave": Overture
- Tragic Overture in D Minor, Op. 81 (Live)
- Tasso, Lamento e Trionfo, S. 96
- 同盟軍の大攻勢 (交響曲第2番ハ長調作品61 第1楽章)
V
- Violin Concerto No. 2 in E Minor, Op. 64: II. Andante
- Violin Concerto in D Major, Op. 61: I. Allegro ma non troppo
- Von der Wiege bis zum Grabe (Symphonic Poem No. 13), S. 107: II. Der Kampf um's Dasein (Agitato rapido)
- Violin Romance No. 2 in F Major, Op. 50: Romance
W
- Wachet auf, ruft uns die Stimme, BWV 140: Aria Duet: Wenn kommst du, mein Heil
- Wachet auf, ruft uns die Stimme, BWV 140: Aria Duet: Mein Freund ist mein
- Was mein Gott will, das gscheh allzeit, BWV 111: Was mein Gott will, das gscheh allzeit, BWV 111: Aria: Entsetze dich, mein Herze, nicht
- Wachet auf, ruft uns die Stimme, BWV 140: Recitative: So geh herein zu mir
- Wie hast du dich, mein Gott (Tenor Rezitativ)
- Wer mich liebet, der wird mein Wort halten, BWV 59: Duet: Wer mich liebet, der wird mein Wort halten
- Wer mich liebet, der wird mein Wort halten, BWV 59: Aria: Die Welt mit allen Konigreichen
X
Z
