热门歌曲
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Korol' Lir (King Lear), Op. 137:Meal with Gonerill
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Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan for chorus and orchestra):V. Demonstration: Allegretto
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Korol' Lir (King Lear), Op. 137:Prelude: The March of Time: Adagio
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Zlatiye gori (Golden mountains) Suite, Op. 30a:VI. Finale: Largo
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Igroki (The Gamblers):Act II: Now then, my friend, have you taken leave of your senses? (Uteshitelny, Ikharyov, Krugel, Shvokhnev, A. Glov)
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Korol' Lir (King Lear), Op. 137:Prelude: The March of Time: Adagio
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Igroki (The Gamblers):Act I: They're quick off the mark, these gentlemen! … (Gavryushka, Ikharyov)
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Korol' Lir (King Lear), Op. 58a:Fanfare 5
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Suite from Katerina Izmailova (Lady Macbeth of the Mtsensk District), Op. 114a:V. Presto (entr'acte between scenes 7 and 8)
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Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 4, Kuzmina Starts Teaching the Local Children: Village Soviet Chairman at Sleep and Arisin
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- 2 Fables of Krilov, Op. 4:No. 2. The Donkey and the Nightingale
- 2 Fables of Krilov, Op. 4:No. 1. The Dragon-Fly and the Ant
E
- Eugene Onegin, Op. 71 (arr. E. Downes):Scene 16: Closing choir of the students
- Eugene Onegin, Op. 71 (arr. E. Downes):Scene 12: Larin's ball
F
I
- Igroki (The Gamblers):Act II: Now then, my friend, have you taken leave of your senses? (Uteshitelny, Ikharyov, Krugel, Shvokhnev, A. Glov)
- Igroki (The Gamblers):Act I: They're quick off the mark, these gentlemen! … (Gavryushka, Ikharyov)
- Igroki (The Gamblers):Act I: Kindly come this way, sir, please! (Alexey, Ikharyov)
- Igroki (The Gamblers):Act I: Please excuse me, gentlemen (Ikharyov, Uteshitelny, Shvokhnev, Krugel)
- Igroki (The Gamblers):Act I: Don't waste your powder (Uteshitelny, Ikharyov)
- Igroki (The Gamblers):Act I: Yes, Adelaide Ivanova (Ikharyov, Uteshitelny, Shvokhnev, Krugel)
- Igroki (The Gamblers):Act I: A four, an ace-ten on each (Shvokhnev, Uteshitelny, Krugel, Ikharyov)
- Igroki (The Gamblers):Act I: I was really afraid he could take us by surprise here (Krugel, Shvokhnev, Gavryushka)
- Igroki (The Gamblers):Act III: Prelude
- Igroki (The Gamblers):Act II: What the devil! I'll quadruple the stake (A. Glov, Uteshitelny, Krugel, Ikharyov, Shvokhnev) )
- Igroki (The Gamblers):Act I: Cards! Can I invite you meanwhile, gentlemen (Ikharyov, Shvokhnev, Krugel, Uteshitelny)
- Igroki (The Gamblers):Act I: Will you be ordering anything to eat, sir? (Alexey, Ikharyov)
- Igroki (The Gamblers):Act I: May I ask, since when have you been at such pains (Uteshitelny, Ikharyov, Shvokhnev)
- Igroki (The Gamblers):Act I: Absolutely brilliant! (Ikharyov, Uteshitelny)
- Igroki (The Gamblers):Act I: Orchestral Prelude
- Igroki (The Gamblers):Act II: We will always love you (Ikharyov, Krugel, Shvokhnev, Uteshiteln, A. Glov)
- Igroki (The Gamblers):Act II: The bird has flown! (Ikharyov, Shvokhnev, Krugel, Uteshitelny)
- Igroki (The Gamblers):Act III: We must remain good friends with him (Uteshitelny, Shvokhnev, Zamukhrishkin)
- Igroki (The Gamblers):Act III: Firstly, he's not an official, and secondly, not of any bank (A. Glov, Ikharyov, Alexey)
- Igroki (The Gamblers):Act III: What a course things have taken! (Ikharyov)
- Igroki (The Gamblers):Act II: Your servant is asking about your trunk, sir (Alexey, M. Glov, Uteshitelny, Ikharyov, Shvokhnev)
- Igroki (The Gamblers):Act III: It would naturally be better to have the money br very soon (Ikharyov, Shvokhnev, Krugel, Uteshitelny)
- Igroki (The Gamblers):Act II: In the matter of cards, I completely agree with Mikhayl Alexandrovich (Uteshitelny, M. Glov, Ikharyov)
- Igroki (The Gamblers):Act I: I see that not only are you master of your craft (Uteshitelny, Ikharyov, Shvokhnev)
- Igroki (The Gamblers):Act I: What a sight! Every pack worth money! (Ikharyov, Alexey, Gavryushka)
- Igroki (The Gamblers):Act I: But that's an important business (Ikharyov, Uteshitelny, Shvokhnev)
- Igroki (The Gamblers):Act III: To hell with Adelaida Ivanova! (Ikharyov)
- Igroki (The Gamblers):Act III: Listen, Psoy Stakhich, please concern yourself with this affair! (Uteshitelny, Zamukhrishkin)
- Igroki (The Gamblers):Act II: Gentlemen, meet Alexander Mikhaylovich Glov a splendid young chap (Uteshitelny, Shvokhnev, Ikharyov, Krugel, A. Glov, Al
- Igroki (The Gamblers):Act II: Ikharyov, may I introduce Mikhayl Alexandrovich Glov? (Uteshitelny, Ikharyov, M. Glov, Shvokhnev, Krugel)
- Igroki (The Gamblers):Act II: Ah, if only he could be won round! (Ikharyov, Krugel, Shvokhnev)
- Igroki (The Gamblers):Act III: Where are they, then? (A. Glov, Ikharyov, Alexey)
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- Korol' Lir (King Lear), Op. 137:Meal with Gonerill
- Korol' Lir (King Lear), Op. 137:Prelude: The March of Time: Adagio
- Korol' Lir (King Lear), Op. 137:Prelude: The March of Time: Adagio
- Korol' Lir (King Lear), Op. 58a:Fanfare 5
- Korol' Lir (King Lear), Op. 58a:Fanfare 1
- Korol' Lir (King Lear), Op. 58a:March
- Korol' Lir (King Lear), Op. 58a:Scene on the Steppe
- Korol' Lir (King Lear), Op. 137:After the Storm: Adagio
- Korol' Lir (King Lear), Op. 137:Storm: Moderato
- Korol' Lir (King Lear), Op. 137:No. 52: Moderato
- Korol' Lir (King Lear), Op. 58a:March
- Korol' Lir (King Lear), Op. 137:Ending of the Tableau King Lear
- Korol' Lir (King Lear), Op. 58a:Military Camp
- Korol' Lir (King Lear), Op. 137:Signal No. 1 - No. 5
- Korol' Lir (King Lear), Op. 137:The Storm (Beginning)
- Korol' Lir (King Lear), Op. 58a:Returning from the Hunt
- Korol' Lir (King Lear), Op. 58a:Fanfare 4
- Korol' Lir (King Lear), Op. 58a:The Storm is Coming Up
- Korol' Lir (King Lear), Op. 58a:Gloster's Blinding
- Korol' Lir (King Lear), Op. 137:Finale: The Fool: Moderato
- Korol' Lir (King Lear), Op. 58a:Fanfare 5
- Korol' Lir (King Lear), Op. 58a:Fanfare 3
- Korol' Lir (King Lear), Op. 58a:Fanfare 3
- Korol' Lir (King Lear), Op. 137:No. 52: Moderato
- Korol' Lir (King Lear), Op. 137:Signal No. 6 - No. 9
- Korol' Lir (King Lear), Op. 58a:Gloster's Blinding
- Korol' Lir (King Lear), Op. 137:Storm: Moderato
- Korol' Lir (King Lear), Op. 137:Signal No. 6 - No. 9
- Korol' Lir (King Lear), Op. 58a:Fanfare 1
- Korol' Lir (King Lear), Op. 58a:Ten Songs of the Fool
- Korol' Lir (King Lear), Op. 58a:The approach of the storm
- Korol' Lir (King Lear), Op. 58a:Fanfare 2
- Korol' Lir (King Lear), Op. 58a:Prelude and Cordelia's ballad
- Korol' Lir (King Lear), Op. 137:After the Storm: Adagio
- Korol' Lir (King Lear), Op. 58a:Act I: Finale
- Korol' Lir (King Lear), Op. 58a:Returning from the Hunt
- Korol' Lir (King Lear), Op. 58a:Scene on the Steppe
- Korol' Lir (King Lear), Op. 137:Meal with Gonerill
- Korol' Lir (King Lear), Op. 137:Lear's Castle: Adagio
- Korol' Lir (King Lear), Op. 137:Lear's Castle: Adagio
- Korol' Lir (King Lear), Op. 137:The Catastrophe begins: Adagio
- Korol' Lir (King Lear), Op. 58a:Military Camp
- Korol' Lir (King Lear), Op. 58a:Fanfare 4
- Korol' Lir (King Lear), Op. 58a:Act I: Finale
- Korol' Lir (King Lear), Op. 137:Ending of the Tableau King Lear
- Korol' Lir (King Lear), Op. 137:The Storm (Beginning)
- Korol' Lir (King Lear), Op. 137:The Catastrophe begins: Adagio
- Korol' Lir (King Lear), Op. 137:The Voice of Truth: Adagio
- Korol' Lir (King Lear), Op. 137:Finale: The Fool: Moderato
- Korol' Lir (King Lear), Op. 137:Signal No. 1 - No. 5
- Korol' Lir (King Lear), Op. 58a:Prelude and Cordelia's ballad
- Korol' Lir (King Lear), Op. 137:The Voice of Truth: Adagio
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- Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan for chorus and orchestra):V. Demonstration: Allegretto
- Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan for chorus and orchestra):III. Death of the Old Worker: Adagio
- Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan for chorus and orchestra):II. Attack: Allegro
- Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan for chorus and orchestra):IV. Waltz: Allegro sostenuto
- Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan for chorus and orchestra):VII. Funeral March: Tempo di marcia funebre
- Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan for chorus and orchestra):VI. Struggle at the Barricades: Allegro con brio
- Maxim trilogy Suite, Op. 50a (arr. L. Atovmyan for chorus and orchestra):I. Introduction: Courage, my friends: Moderato
- Marie Victoire, P. 100: Act I Scene 5: Oui monsieur, c'est bien moi (Kermarec, Marie, Maurice, Cloriviere)
O
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 4, Kuzmina Starts Teaching the Local Children: Village Soviet Chairman at Sleep and Arisin
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 5, Kuzmina Teaches in the Open Air: Allegro
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 4, Kuzmina Starts Teaching the Local Children: Kuzmina Confronts the Village Chairman
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 6, Attempted murder of Kuzmina: Kuzmina Almost Freezes to Death (conclusion)
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 3, Kuzmina Arrives Alone in the Altai Steppes: The Steppe of the Altai
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 3, Kuzmina Arrives Alone in the Altai Steppes: Barrel-Organ
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 7, Kuzmina's Rescue by Aeroplane: No. 6 - No. 8 - Appendix
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 4, Kuzmina Starts Teaching the Local Children: The Village Chairman Drinks Tea with His Wi
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 5, Kuzmina Teaches in the Open Air: Moderato
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 3, Kuzmina Arrives Alone in the Altai Steppes: Altai
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 2, Kuzmina Enlists as a Teacher: March
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 7, Kuzmina's Rescue by Aeroplane: Adagio
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 1, Kuzmina in Leningrad: (Original) Introduction - The Cockery Sings: Ostan'sya!
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 3, Kuzmina Arrives Alone in the Altai Steppes: The Altai
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 4, Kuzmina Starts Teaching the Local Children: Largo
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 6, Attempted murder of Kuzmina: Appendix
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 3, Kuzmina Arrives Alone in the Altai Steppes: Kuzmina in Her Peasant's Hut
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 4, Kuzmina Starts Teaching the Local Children: The Bai Selects the Children to Tend The Sh
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 6, Attempted murder of Kuzmina: Largo
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 7, Kuzmina's Rescue by Aeroplane: Allegro
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 6, Attempted murder of Kuzmina: Allegretto
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 4, Kuzmina Starts Teaching the Local Children: Allegro
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 6, Attempted murder of Kuzmina: Snowstorm
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 1, Kuzmina in Leningrad: March, "The Street"
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 7, Kuzmina's Rescue by Aeroplane: The Aeroplane
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 5, Kuzmina Teaches in the Open Air: Adagio
- Odna (Alone), Op. 26 (reconstructed by M. Fitz-Gerald):Reel 1, Kuzmina in Leningrad: Galop - Kakaya horoshaya budet zhizn'! (How Good Life wi
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- Pesn' o lesakh (Song of the Forests), Op. 81:No. 7. Ruhm (Glory) (Tenor, Bass, Chorus)
- Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan for orchestra):III. Attack
- Pesn' o lesakh (Song of the Forests), Op. 81:No. 6. Zukunftiger Spaziergang (Future Stroll) (Tenor, Chorus)
- Pesn' o lesakh (Song of the Forests), Op. 81:No. 5. Die Komsomolzen gehen voran (The Young Communist Leaguers advance) (Chorus)
- Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan for orchestra):V. Storming Seelow Heights
- Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan for orchestra):IV. In the Garden
- Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan for orchestra):VII. Scene in the Metro
- Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan for orchestra):I. Prelude
- Pesn' o lesakh (Song of the Forests), Op. 81:No. 1. Als der Krieg zu Ende war (When the War was over) (Bass, Chorus)
- Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan for orchestra):II. Scene at the River
- Pesn' o lesakh (Song of the Forests), Op. 81:No. 3. Erinnerung an die Vergangenheit (Remembrance of Things Past) (Bass, Chorus)
- Pesn' o lesakh (Song of the Forests), Op. 81:No. 2. Lasst uns die Heimat mit Wald bekleiden (Let us clothe our country with woodland) (Chorus
- Padeniye Berlina (The Fall of Berlin) Suite, Op. 82a (arr. L. Atovmyan for orchestra):VI. In the Destroyed Village
S
- Suite from Katerina Izmailova (Lady Macbeth of the Mtsensk District), Op. 114a:V. Presto (entr'acte between scenes 7 and 8)
- Suite from Katerina Izmailova (Lady Macbeth of the Mtsensk District), Op. 114a:IV. Allegretto (entr'acte between scenes 6 and 7)
- Suite from Katerina Izmailova (Lady Macbeth of the Mtsensk District), Op. 114a:I. Allegretto (entr'acte between scenes 1 and 2)
- Spartacus (1968 Bolshoi version) (arr. Y. Grigorovich):Act I: Dance of a Greek Slaves
- Suite from Katerina Izmailova (Lady Macbeth of the Mtsensk District), Op. 114a:III. Largo (entr'acte between scenes 4 and 5)
- Spartacus (1968 Bolshoi version) (arr. Y. Grigorovich):Act I: Phrygia's dance and scene of separation
- Suite from Katerina Izmailova (Lady Macbeth of the Mtsensk District), Op. 114a:II. Allegro con brio (entr'acte between scenes 2 and 3)
- Spartacus (1968 Bolshoi version) (arr. Y. Grigorovich):Act III: Adagio of Spartacus and Phrygia
- Spartacus (1968 Bolshoi version) (arr. Y. Grigorovich):Act I: Scene and Dance with Crotala
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- The Nose Suite, Op. 15a:Galopp
- The Nose Suite, Op. 15a:Ouverture
- The Nose Suite, Op. 15a:Liedchen des Iwan (Tenor)
- The Nose Suite, Op. 15a:Zwischenakt
- The Nose Suite, Op. 15a:Monolog des Kowaljow (Baritone)
- The Nose Suite, Op. 15a:Arie des Kowaljow (Baritone)
- The Gadfly Suite, Op. 97a:Romance
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V
Y
- Yevipetskiye nochi (Egyptian Nights):Act II: Triumphmusik - Friedensvertrag - Trinklied - Finale
- Yevipetskiye nochi (Egyptian Nights):Act I: Trinklied
- Yunost' Maksima (The Youth of Maxim), Op. 41: Overture
Z
- Zlatiye gori (Golden mountains) Suite, Op. 30a:VI. Finale: Largo
- Zoya Suite, Op. 64a (arr. L. Atovmyan for orchestra):V. The Heroine's Immortality
- Zoya Suite, Op. 64a (arr. L. Atovmyan for orchestra):I. Song about Zoya
- Zlatiye gori (Golden mountains) Suite, Op. 30a:III. Fugue: Largo - Allegro
- Zoya Suite, Op. 64a (arr. L. Atovmyan for orchestra):III. Tragedy of a Loss
- Zlatiye gori (Golden mountains) Suite, Op. 30a:I. Introduction: Moderato
- Zoya Suite, Op. 64a (arr. L. Atovmyan for orchestra):IV. Hero's Victory
- Zlatiye gori (Golden mountains) Suite, Op. 30a:II. Waltz: Andante
- Zoya Suite, Op. 64a (arr. L. Atovmyan for orchestra):II. Military Problem
- Zlatiye gori (Golden mountains) Suite, Op. 30a:IV. Intermezzo: Andante
