熱門歌曲
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Heaven or Las Vegas (arr. C. O'Riley for cello and piano)
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The Work at Hand (Version for Voice, Piano & Cello):No. 3, The Slow Seconds
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Le Grand Tango
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Blood Count (arr. D. Sanford for 4 cellos)
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Le Grand Tango
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Suite italienne (version for cello and piano):III. Aria
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Triptych
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Tiefer und Tiefer (Deeper and Deeper) (arr. L.P. Woolf for cello ensemble)
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9:11 Blues
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Rhondo Variations
#
- 9:11 Blues
- 3 Pieces for Cello & Piano:No. 1, Moderato
- 3 Libras (Arr. C. O'Riley for Cello & Piano)
- 2 Pieces for Violin & Piano (Arr. M. Haimovitz for Cello & Piano):No. 1, Nocturne
- 2 Pieces for Violin & Piano (Arr. M. Haimovitz for Cello & Piano):No. 2, Cortège
- 3 Libras
- 3 Pieces for Cello & Piano:No. 2, Sans vitesse et à l’aise
- 22, PT. 1:i. —
- 3 Pieces for Cello & Piano:No. 3, Vite et nerveusement rythmé
- 3 Libras (啊讓人. C. o Riley force力量o and piano)
- 22, Pt. 2:II. —
- 14 Songs, Op. 34 (arr. for cello and piano): No. 14. Vocalise (arr. for cello and piano)
- 2 Mélodies hébraïques, M. 22a:No. 1, Kaddish (Arr. M. Haimovitz for Cello & Piano)
A
- Arpeggione Sonata in A Minor, D. 821 (arr. for cello and piano):II. Adagio
- A Lotus on Irish Streams (arr. for cello and piano)
- Akoka
- A Lotus on Irish Streams
- Après un rêve, Op. 7 No. 1 (Arr. for Cello & Piano)
- Apres moi le déluge (Excerpt)
- Arpeggione Sonata in A Minor, D. 821 (arr. for cello and piano):III. Allegretto
- Athol Brose (Arr. C. O'Riley for Cello & Piano)
- After Reading Shakespeare:VI. Why hearst thou music sadly?
- Angel Heart:Part 1: Chapter V: Rahmiel fills the night with laughter …
- Angel Heart:Part 1: Chapter IV: So much sadness!
- Angel Heart:Part 1: Chapter III: Ah, how Rahmiel loves the world of men and beasts!
- Arpeggione Sonata in A Minor, D. 821 (arr. for cello and piano):I. Allegro moderato
- After Reading Shakespeare:III. Titania and Oberon
- After Reading Shakespeare:I. Lear
- A Lotus on Irish Streams
- Angel Heart:Part 2: Chapter VIII: The witch that can heal broken hearts …
- Angel Heart:Part 2: Chapter X: The East is dressed in leaves …
- Angel Heart:Part 2: Chapter XII: The West is even bigger than the raven man.
- Angel heart:part 1: chapter II: but look! Whois that one?
- after Reading Shakespeare:IV. Caliban
- after Reading Shakespeare:IX. Iago安定Othello
- AI limit ID Ella not特 (version for cello)
- after Reading Shakespeare:V. Portia
- Angel heart:part 2: chapter X III: when the south sings her lullaby …
- Angel heart:part 1: chapter VII: Luna doesn't look very strong …
- Angel heart:part 2: chapter ξ: oh the north.
- all through the night (啊讓人. G. Getty and l.P. wool方法or voices, choir and ensemble)
- Angel heart:part 2: chapter IX: "mistress!" the Raven man says …
- after Reading Shakespeare:II. Katherine
- A tho lb rose
- After Reading Shakespeare:VIII. Remembrance of things past
- Athol Brose (arr. C. ORiley for cello and piano)
- Angel Heart:Part 1: Chapter VI: Oh, this is too much pain.
- After Reading Shakespeare:VII. Our minutes hasten to their end
- Anthem, "The Star-Spangled Banner" (arr. J. Hendrix and M. Haimovitz for cello)
- Angel Heart:Part 1: Chapter I: There! Do you hear it?
B
- Blood Count (arr. D. Sanford for 4 cellos)
- blue Sina minor (啊讓人. D. Sanford佛如 2 cellos)
- back int和U.S.S.R. (啊讓人. M. H曖昧OVI體重and C. o Riley force力量o and piano)
- blood count
- blue Sina minor
- Back in the U.S.S.R (Arr. M. Haimovitz & C. ORiley for Cello & Piano)
C
- Cello Suite No. 4 in E-Flat Major, BWV 1010:I. Prelude
- Cello Suite No. 4 in E-Flat Major, BWV 1010:V. Bourree I-II
- Cello Suite No. 4 in E-Flat Major, BWV 1010:IV. Sarabande
- Cello Suite No. 5 in C Minor, BWV 1011: I. Prélude
- Cello Suite No. 1 in G Major, BWV 1007: I. Prélude
- Cello Suite No. 5 in C Minor, BWV 1011:II. Allemande
- Cello Sonata in D Minor, L 135:I. Prologue. Lent, sostenuto e molto risoluto
- Cello Sonata in D Minor, Op. 40:IV. Allegro
- Cello Sonata, FP 143:III. Ballabile
- Cello Suite No. 3 in C Major, BWV 1009:V. Bourree I-II
- Cello Suite No. 6 in D Major, BWV 1012:V. Gavotte I-II
- Cello Sonata in D Minor, L 135:III. Finale. Animé, léger et nerveux
- Cello Sonata in D Minor, Op. 40:III. Largo
- Cello Sonata in G Minor, Op. 19:II. Allegro scherzando
- Cello Sonata in D Minor, L 135:II. Sérénade. Modérément animé
- Cello Suite No. 4 in E-Flat Major, BWV 1010:III. Courante
- Cello Sonata in G Minor, Op. 19:I. Lento - Allegro moderato
- Cello Suite No. 2 in D Minor, BWV 1008: I. Prélude
- Cello Suite No. 5 in C Minor, BWV 1011:VI. Gigue
- Cello Sonata in C Major, Op. 119:I. Andante grave
- Cello Concerto: I. —
- Cello concerto in D major, K. 285 d:I. Allegro aperto
- Cello Suite No. 6 in D Major, BWV 1012: I. Prélude
- Cello Suite No. 1 in G Major, BWV 1007:III. Courante
- Cello Suite No. 6 in D Major, BWV 1012:II. Allemande
- Cello Concerto: III. —
- Cello Suite No. 1 in G Major, BWV 1007:II. Allemande
- Cello Suite No. 3 in C Major, BWV 1009:VI. Gigue
- Cello Suite No. 3 in C Major, BWV 1009:I. Prelude
- Cello Sonata, FP 143:I. Allegro - Tempo di marcia
- Cedres en voile, "Threne pour le Liban"
- Cello Sonata in C Major, Op. 119:II. Moderato
- Ciaccona, intermezzo e adagio:Intermezzo
- Cello Sonata:II. Capriccio
- Cello Sonata:I. Dialogo
- Cello Suite No. 4 in E-Flat Major, BWV 1010: I. Prélude
- cello concerto Ind major, hob. VII B. 2:II. adagio
- cello sonata ing minor, op. 19:IV. allegro Moss O
- CIA從co那, intermezzo哦adagio
- cello concerto Ind major, K. 285 的:III. allegro
- cello suite no. 5 Inc minor, BW V 1011:III. courante
- cello suite no. 2 in D minor, BW V 1008:vi. gigue
- cello suite no. 1 ing major, BW V 1007:i. prelude
- cello concerto Inc major, hob. VII B. 1:i. moderato
- cello sonata Ind minor, op. 40:II. allegro
- cello suite no. 5 Inc minor, BW V 1011:i. prelude
- CIA從co那, intermezzo哦adagio:adagio
- cello concerto Ind major, hob. VII B. 2:i. allegro moderato
- cello sonata Ind minor, op. 40:i. allegro no NTR OPPO
- cello sonata, FP 143:IV. finale
- cello concerto Inc major, hob. VII B. 1:III. finale : allegro molto
- cello suite no. 6 in D major, BW V 1012:IV. sarabande
- cello suite no. 5 Inc minor, BW V 1011:IV. sarabande
- cello concerto Ind major, hob. VII B. 2:III. allegro
- cello suite no. 4 in E-flat major, BW V 1010:II. allemande
- cello suite no. 4 in E-flat major, BW V 1010:vi. gigue
- cello sonata ing minor, op. 19:III. andante
- Cello Suite No. 3 in C Major, BWV 1009: I. Prélude
- Cello Sonata in C Major, Op. 119:III. Allegro ma non troppo
- Cello Concerto in B flat major, G 482:2. Adagio non troppo
- Cello Suite No. 3 in C Major, BWV 1009:II. Allemande
- Cello Sonata, FP 143:II. Cavatine
- Cello Suite No. 6 in D Major, BWV 1012:I. Prelude
- Cello Suite No. 6 in D Major, BWV 1012:VI. Gigue
- Cello Suite No. 2 in D Minor, BWV 1008:III. Courante
- Cello Suite No. 2 in D Minor, BWV 1008:II. Allemande
- Cello Suite No. 3 in C Major, BWV 1009:IV. Sarabande
- Cello Suite No. 3 in C Major, BWV 1009:III. Courante
- Cello Suite No. 2 in D Minor, BWV 1008:I. Prelude
- Cello Concerto: II. —
- Cello Concerto: Cadenzas
- Cello Suite No. 1 in G Major, BWV 1007:VI. Gigue
- Cello Suite No. 6 in D Major, BWV 1012:III. Courante
- Cello Suite No. 1 in G Major, BWV 1007:V. Menuet I-II
- Cello Suite No. 2 in D Minor, BWV 1008:IV. Sarabande
- Cello concerto in D major, K. 285 d:II. Adagio
- Cello Suite No. 5 in C Minor, BWV 1011:V. Gavotte I-II
- Cello Suite No. 1 in G Major, BWV 1007:IV. Sarabande
- Cello Suite No. 2 in D Minor, BWV 1008:V. Menuet I-II
- Cello concerto in C major, Hob. VII b. 1:II. Adagio
D
E
- Empty Room
- Everybody Knows (Arr. L.P. Woolf)
- Empty Room (Arr. C. O'Riley for Cello & Piano)
- Es War
- empty room (啊讓人. C. o Riley force力量o and piano)
F
- First Club Date:I. Prelude to a Pizz.
- Figment No. 2, "Remembering Mr. Ives"
- Fotzepolitic (arr. C. O'Riley for cello and piano)
- First Club Date: II. Puppy Love
- First Club Date:II. Puppy Love
- Fotzepolitic
- First Club Date:V. Jonah's Jive Jump
- First Club Date: I. Prelude to a Pizz.
- first club date: IV. elevating它和standard
- first club date:III. Matt是monkish machinations
- FI Glu的for overlaid and beat-up cello是
- First Club Date: V. Jonahs Jive Jump
- Fanfare & Memorial
- Figment No. 1
- First Club Date:IV. Elevating the Standard
- Fotzepolitic
G
- Gypsy Two
- Gypsy One
- Glissées: No. 4, —
- Glissées: No. 1, —
- György Ligeti: Sonata For Solo Cello (1948-53) - Capriccio. Presto Con Slancio
- György Ligeti: Sonata For Solo Cello (1948-53) - Dialogo. Adagio, Rubato, Cantabile
- Glissées: No. 2, —
- G or燉
- Goulash
- Glissées: No. 3, —
- Gasa (Live)
H
- Heaven or Las Vegas (arr. C. O'Riley for cello and piano)
- Haitian Fight Song
- Ho Ho Watanay (arr. L.P. Woolf for voice and ensemble)
- Half Nelson
- helter skelter (A仍然. l.P. wool方法or cello)
- heaven or las Vegas
- Hänsel und Gretel, Act II Scene 2: Abends, will ich schlafen gehn (Evening Prayers) (arr. L. Spratlan for voices and ensemble)
- half Nelson (啊讓人. D. Sanford佛如 8 cellos)
- heaven or las Vegas (A仍然. C. o Riley for cello & piano)
- half Nelson
- Helter Skelter (arr. L.P. Woolf for cello)
- Haitian Fight Song (arr. D. Sanford for 8 cellos)
I
- In the Backseat
- iconic legacies (first ladies ATT和Smithsonian):no. 3, Jacqueline Kennedy Onassis [white house Christmas card, 1963]
- if i were you:i don't have to DOA thing
- iconic legacies (first ladies ATT和Smithsonian):no. 2, Mary Todd Lincoln [Abraham Lincoln SHA湯]
- int和backseat (A仍然. C. o Riley for cello & piano)
- In the Backseat (arr. C. ORiley for cello and piano)
- Iconic Legacies (First Ladies at the Smithsonian):No. 4, Barbara Bush [The Muppets]
- Interludium A
- Iconic Legacies (First Ladies at the Smithsonian):No. 1, Eleanor Roosevelt [Marian Andersons Mink Coat]
J
K
- Kashmir (Arr. M. Haimovitz & L.P. Woolf for Cello Ensemble)
- Kashmir (Arr. M. Haimovitz & L.P. Woolf for Cello Ensemble)
- Kontraste: No. 1, — (Live)
- KO你太RAS特: no. 2, — (live)
- Kukushka (Arr. M. Haimovitz & C. ORiley for Cello & Piano)
- Kukushka (arr. M. Haimovitz and C. ORiley for cello and piano)
L
- Le Grand Tango
- Le Grand Tango
- Le grand Tango
- La memoria
- Liza (From "Show Girl")
- Lili'uokalani
- Élégie, Op. 251 (Version for Cello & Piano)
- Lieutenant Kijé Suite, Op. 60: IV. Troika (arr. M. Haimovitz and C. ORiley for cello and piano)
M
- Mark Twain Sez:I. Growth
- Meeting of the Spirits (arr. D. Sanford for 5 cellos, drums and keyboards)
- Melody (arr. C. O'Riley for cello and piano)
- Meanwhile...
- Mother Nature's Son (arr. D. Sanford for voices and ensemble)
- Mark Twain Sez:VIII. Day-dreaming
- Misery is a Butterfly (arr. C. O'Riley for cello and piano)
- Misery Is a Butterfly
- mark Twains EZ:III. butterfly kangaroo
- mark Twains EZ:VII. wear E all mad
- meeting of the spirits
- Melody (A仍然. C. o Riley for cello & piano)
- Misery is a Butterfly (Arr. C. ORiley for Cello & Piano)
- Mark Twain Sez:IV. Procrastination
- Mark Twain Sez:VI. Night
- Mark Twain Sez:V. The Heart
- Mark Twain Sez:II. Humor
- Machine Gun (Arr. M. Haimovitz for Cello Ensemble)
- Melody
O
- Oración Lucumí
- Open Country Joy (arr. D. Sanford for 5 cellos and electric guitar)
- Open Country Joy
- O Waly Waly (arr. L.P. Woolf for voices and ensemble)
- Overture
- open country Joy (A仍然. D. Sanford for electric guitar & cello ensemble)
- O Absalom (啊讓人. l.P. wool方法or voices and cello)
- Omar AM or
- orbit
- Of Gods and Cats:No. 1, In the Beginning
- Of Gods and Cats:No. 2, Once Upon a Universe
P
- Pohádka (Fairy-tale), JW VII5:I. Con moto
- Punk Prayer - Virgin Mary, Put Putin Away (Arr. M. Haimovitz & C. O'Riley for Cello & Piano)
- Punk Prayer, "Virgin Mary, Put Putin Away" (arr. M. Haimovitz and C. O'Riley for cello and piano)
- Papillon, Op. 77
- Pohádka (Fairy-tale), JW VII5:III. Allegro
- pyramid song (啊讓人. C. o Riley force力量o and piano)
- Pohádka, JW VII5 "Fairy Tale": II. Con moto
- pyramid song (A仍然. C. o Riley for cello & piano)
- Pohádka, JW VII5 "Fairy Tale": I. Con moto
- Pyramid Song
- Pohádka (Fairy-tale), JW VII5:II. Con moto
- Pohádka, JW VII5 "Fairy Tale": III. Allegro
R
S
- Suite italienne (version for cello and piano):III. Aria
- Shadow:III. Variation and Sarabande
- Suite italienne (Version for Cello & Piano): III. Aria
- Suite italienne (Version for Cello & Piano): V. Minuetto e finale
- Suite italienne (Version for Cello & Piano): I. Introduzione
- Shadow:IV. Shadows II
- Statuesque:No. 5, Winged Victory We're Through
- Suite for Variety Stage Orchestra: Waltz No. 2 (arr. M. Haimovitz and C. O'Riley for cello and piano)
- Seventh Avenue Kaddish
- Shadow:II. RamboRimbaud
- String Quintet in C Major, Op. 163, D. 956:III. Scherzo: Presto - Trio: Andante sostenuto
- Suite italienne (Version for Cello & Piano): IV. Tarantella
- Suite italienne (version for cello and piano):II. Serenata
- Suite italienne (Version for Cello & Piano): II. Serenata
- scherzo gross O (version for cello & big band):III. —
- sarabande
- statuesque:no. 3, hat是EPs UT the Divine Potter
- suite IT alien呢 (version force力量o and piano):V. minuet toe finale
- scherzo gross O (version for cello & big band):IV. —
- showgirl: Liza (啊讓人. D. Sanford佛如 4 cellos)
- suite IT alien呢 (version force力量o and piano):i. intro肚子one
- String Quintet in C Major, Op. 163, D. 956:IV. Allegretto - Più allegro
- s E確NZ ax IV
- string quintet Inc major, op. 163, D. 956:II. adagio
- seventh avenue Kaddish
- suite IT alien呢 (version force力量o and piano):IV. tarantella
- scherzo gross O (version for cello & big band):i. —
- String Quintet in C Major, Op. 163, D. 956:IV. Allegretto
- Statuesque:No. 2, Pablo Picasso Head of a Woman, 1932
- String Quintet in C Major, Op. 163, D. 956:I. Allegro ma non troppo
- Sleep Baby Sleep (arr. L.P. Woolf for voice and cello)
- Statuesque:No. 4, Alberto Giacometti Standing Woman, 1948
- San
- Statuesque:No. 1, Henry Moore Reclining Figure in Elmwood
- Shadow:I. Shadows I
- Scherzo grosso (Version for Cello & Big Band):II. —
T
- The Work at Hand (Version for Voice, Piano & Cello):No. 3, The Slow Seconds
- Triptych
- Tiefer und Tiefer (Deeper and Deeper) (arr. L.P. Woolf for cello ensemble)
- The Work at Hand (Version for Mezzo-Soprano, Cello & Piano):No. 1, Original Origami
- The Breaking Waves:No. 3, Music
- The Dance of Maya
- The Star-Spangled Banner (Jimi Hendrix Version) [Arr. M. Haimovitz for Cello] [Live]
- the dance of Maya
- the adventurer (啊讓人. l.P. wool方法or voice and ensemble)
- the work at hand (version for voice, piano & cello):no. 1, original origami
- the work at hand (version for voice, piano & cello):no. 2, warrior 1
- the dance of Maya (啊讓人. C. o Riley force力量o and piano)
- the Veronica
- The Work at Hand (Version for Mezzo-Soprano, Cello & Piano):No. 3, The Slow Seconds
- Trans
- Triptych
- The Work at Hand (Version for Mezzo-Soprano, Cello & Piano):No. 2, Warrior 1
U
V
- Vertigo Suite (arr. C. O'Riley for cello and piano):IV. Scotty Trails Madeline
- Variations on a Slovak Folksong, H. 378
- Vertigo Suite: III. Carlotta's Portrait (Arr. C. O'Riley for Cello & Piano)
- Vertigo Suite: IV. Scotty Trails Madeline (Arr. C. O'Riley for Cello & Piano)
- vertigo suite (啊讓人. C. o Riley force力量o and piano):i. prelude
- variations on啊Slovak folksong, H. 378
- vertigo suite (啊讓人. C. o Riley force力量o and piano):III. Carlotta是portrait
- Vertigo Suite: V. Scène d’amour (Arr. C. O'Riley for Cello & Piano)
- violin concerto no. 1: II. — (live)
- vertigo suite (啊讓人. C. o Riley force力量o and piano):II. the nightmare
- vertigo suite: i. prelude (A仍然. C. o Riley for cello & piano)
- vertigo suite (啊讓人. C. o Riley force力量o and piano)
- Violin Concerto No. 1: III. — (Live)
- Vez
- Vertigo Suite: II. The Nightmare (Arr. C. ORiley for Cello & Piano)
- Violin Concerto No. 1: I. — (Live)
W
